Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Hip-Hop Language and Linguistics

View through CrossRef
Abstract A significant sociopolitical event in New York City led to the emergence of the hip-hop musical genre, which is now a critical part of global popular culture and the performance landscape. In general terms, hip-hop, and in particular rap, can be understood as a form of spoken word or rhymed storytelling, accompanied by music. In the 1970s, the construction of the Cross-Bronx Expressway (1948–1972) effectively displaced many residents from the South Bronx, an area where residents were already faced with high levels of unemployment and poverty. These social conditions led to the birth of hip-hop as a performative genre that provided a space for the marginalized to express their voice. These non-mainstream origins and the limited political and societal power that accompanied these conditions led to hip-hop being seen as a form of resistance. Since these times, hip-hop has broken into the mainstream and is now a multi-billion-dollar part of the music industry. While hip-hop has grown as a genre of music and popular culture, so too has its reach on the global scale. Initially, this meant moving beyond New York, where different variations in African American English were incorporated along with more localized social and political concerns. Later, hip-hop began to spread around the world with a particularly unique ability to cross social, cultural, and geographic boundaries, as well as sociolinguistic boundaries. Emerging in various locations, it has proved its capacity to become translocal, taking on distinctly local features in a process of establishing authenticity inclusive of slang, dialect, accent, and phonological features as well as cultural markers and references to local political and social agendas. Hip-hop’s movement around the world has seen the emergence of important work on varieties of hip-hop. The underlying thesis here is that the localization of hip-hop is not merely global hip-hop adding in a few local features, but that it is always local, particularly in its linguistic features and general thematic and topical concerns.
Title: Hip-Hop Language and Linguistics
Description:
Abstract A significant sociopolitical event in New York City led to the emergence of the hip-hop musical genre, which is now a critical part of global popular culture and the performance landscape.
In general terms, hip-hop, and in particular rap, can be understood as a form of spoken word or rhymed storytelling, accompanied by music.
In the 1970s, the construction of the Cross-Bronx Expressway (1948–1972) effectively displaced many residents from the South Bronx, an area where residents were already faced with high levels of unemployment and poverty.
These social conditions led to the birth of hip-hop as a performative genre that provided a space for the marginalized to express their voice.
These non-mainstream origins and the limited political and societal power that accompanied these conditions led to hip-hop being seen as a form of resistance.
Since these times, hip-hop has broken into the mainstream and is now a multi-billion-dollar part of the music industry.
While hip-hop has grown as a genre of music and popular culture, so too has its reach on the global scale.
Initially, this meant moving beyond New York, where different variations in African American English were incorporated along with more localized social and political concerns.
Later, hip-hop began to spread around the world with a particularly unique ability to cross social, cultural, and geographic boundaries, as well as sociolinguistic boundaries.
Emerging in various locations, it has proved its capacity to become translocal, taking on distinctly local features in a process of establishing authenticity inclusive of slang, dialect, accent, and phonological features as well as cultural markers and references to local political and social agendas.
Hip-hop’s movement around the world has seen the emergence of important work on varieties of hip-hop.
The underlying thesis here is that the localization of hip-hop is not merely global hip-hop adding in a few local features, but that it is always local, particularly in its linguistic features and general thematic and topical concerns.

Related Results

Hubungan Perilaku Pola Makan dengan Kejadian Anak Obesitas
Hubungan Perilaku Pola Makan dengan Kejadian Anak Obesitas
<p><em><span style="font-size: 11.0pt; font-family: 'Times New Roman',serif; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-langua...
Mix En Meng It Op: Emile YX?'s Alternative Race and Language Politics in South African Hip-Hop
Mix En Meng It Op: Emile YX?'s Alternative Race and Language Politics in South African Hip-Hop
This paper explores South African hip-hop activist Emile YX?'s work to suggest that he presents an alternative take on mainstream US and South African hip-hop. While it is arguable...
Ứng dụng kỹ thuật BoBs để phát hiện một số bất thường nhiễm sắc thể trong chẩn đoán trước sinh
Ứng dụng kỹ thuật BoBs để phát hiện một số bất thường nhiễm sắc thể trong chẩn đoán trước sinh
Mục tiêu: Đánh giá giá trị kỹ thuật Bobs trong phát hiện một số lệch bội và mất đoạn nhỏ nhiễm sắc thể của thai. Đối tượng và phương pháp nghiên cứu: mẫu dịch ối của 1.880 thai phụ...
Physiological and biomechanical factors contributing to the hip adduction angle in female runners
Physiological and biomechanical factors contributing to the hip adduction angle in female runners
Running is a popular form of exercise that is accompanied by many health benefits. However, running also comes with a risk of overuse injuries. Women have a higher risk for overuse...
Pipelines And Tight Rhymes: Virtual Media And Hip-Hop In Japan & New Zealand
Pipelines And Tight Rhymes: Virtual Media And Hip-Hop In Japan & New Zealand
<p>This thesis looks at hip-hop as a contemporary pop cultural phenomena and its relationship with media in the construction of underground hip-hop communities in Japanese an...
Wayang Hip Hop Dekonstruksi Budaya Tradisi di Yogyakarta
Wayang Hip Hop Dekonstruksi Budaya Tradisi di Yogyakarta
This paper aims to observe the presence of the Hip Hop Puppet in the middle of the Yogyakarta community which is developing quite dynamically. Talcott Parsons’s theory of social ac...
KREATIVITAS FRANKY PENARI HIP HOP DI KOTA SEMARANG
KREATIVITAS FRANKY PENARI HIP HOP DI KOTA SEMARANG
Kesenian di kota Semarang sangatlah beragam khususnya pada kesenian tari yang ada. Kota Semarang memiliki seni tari tradisi atau traditional dance dan seni tari modern atau modern ...
Rap/Hip-Hop
Rap/Hip-Hop
Rap evolved as a vernacular term used among African Americans to define a stylized way of speaking. Over the years, black radio disc jockeys, musicians, literary figures, and 1960s...

Back to Top