Javascript must be enabled to continue!
Christopher Marlowe, kanonični odpadnik
View through CrossRef
Christopher Marlowe, kanonični odpadnik (Christopher Marlowe, a Canonical Dissident) is the first monograph in the Slovenian language to be devoted to the English playwright, poet and translator Christopher Marlowe (1564–1593). The book looks into the reception history of Marlowe in the English and Slovenian literary systems from the time of the author’s life until today, starting with the earliest references to Marlowe by, among others, Robert Greene, Thomas Kyd, Richard Baines, Francis Meres and Thomas Beard, continuing with the Romantics and Victorians, key twentieth-century authors in the fields of feminism, gay, queer and gender studies, new historicism, cultural materialism, postcolonialism, theatre studies, etc., and finishing halfway through the second decade of the twenty-first century. After the introductory chapter, which briefly summarises the state of affairs in Marlowe studies and the scope of the book, two chapters discuss Marlowe’s biography and literary works. This is followed by chapters on the reception and canonisation of Marlowe, his role as a dissident, the Slovenian translations and stagings of his work, and a brief conclusion and postcript.
Title: Christopher Marlowe, kanonični odpadnik
Description:
Christopher Marlowe, kanonični odpadnik (Christopher Marlowe, a Canonical Dissident) is the first monograph in the Slovenian language to be devoted to the English playwright, poet and translator Christopher Marlowe (1564–1593).
The book looks into the reception history of Marlowe in the English and Slovenian literary systems from the time of the author’s life until today, starting with the earliest references to Marlowe by, among others, Robert Greene, Thomas Kyd, Richard Baines, Francis Meres and Thomas Beard, continuing with the Romantics and Victorians, key twentieth-century authors in the fields of feminism, gay, queer and gender studies, new historicism, cultural materialism, postcolonialism, theatre studies, etc.
, and finishing halfway through the second decade of the twenty-first century.
After the introductory chapter, which briefly summarises the state of affairs in Marlowe studies and the scope of the book, two chapters discuss Marlowe’s biography and literary works.
This is followed by chapters on the reception and canonisation of Marlowe, his role as a dissident, the Slovenian translations and stagings of his work, and a brief conclusion and postcript.
Related Results
Pushing the Boundaries of Historiographic Metafiction: Temporal Instability, ‘Authority’ and Authorship in The Memoirs of Christopher Columbus; with Stephen Marlowe
Pushing the Boundaries of Historiographic Metafiction: Temporal Instability, ‘Authority’ and Authorship in The Memoirs of Christopher Columbus; with Stephen Marlowe
Tras presentar la novela de Stephen Marlowe The Memoirs of Christopher Columbus (1987) como un ejemplo prototípico de ‘metaficción historiográfica’, este artí- culo estudia las car...
The Cambridge Introduction to Christopher Marlowe
The Cambridge Introduction to Christopher Marlowe
Providing a comprehensive survey of Christopher Marlowe's literary career, this Introduction presents an approachable account of the life, works and influence of the groundbreaking...
Rewriting History for the Stage: The Theatricality of the St. Bartholomew’s Day Massacre in Christopher Marlowe’s The Massacre at Paris (1592)
Rewriting History for the Stage: The Theatricality of the St. Bartholomew’s Day Massacre in Christopher Marlowe’s The Massacre at Paris (1592)
In his 1592 play, The Massacre at Paris, Christopher Marlowe adapted his main source, François Hotman’s A true and plaine reporte of the furious outrages of France (1573), and undo...
“To the future”: Derek Jarman’s Edward II in the Archive
“To the future”: Derek Jarman’s Edward II in the Archive
This essay traces the development of Derek Jarman’s ideas about Christopher Marlowe’s tragedy from his student days at King’s College London, through the film Edward II (1991), to ...
The Philip Marlowe Novels
The Philip Marlowe Novels
Chapter five reconsiders Chandler’s own war experience to show that Marlowe, like his creator, displayed symptoms of combat-related post-traumatic stress disorder (PTSD). Examining...
Christopher Marlowe’s Doctor Faustus: A Reflection of Renaissance Ambitions
Christopher Marlowe’s Doctor Faustus: A Reflection of Renaissance Ambitions
This study explores the Renaissance spirit as reflected in Christopher Marlowe's Doctor Faustus, a seminal work encapsulating the core values of the English Renaissance. By examini...
“A Convenient Ventriloquist’s Dummy”: The “Christopher Isherwood” Character in Christopher Isherwood
“A Convenient Ventriloquist’s Dummy”: The “Christopher Isherwood” Character in Christopher Isherwood
<p>The “Christopher Isherwood” character first appears in Lions and Shadows (1938), Christopher Isherwood’s lightly fictionalised autobiography. Its foreword claims that “Ish...
Christopher Marlowe, The Massacre at Paris, ed. Mathew R. Martin (Manchester: Manchester University Press/The Revels Plays, 2021)
Christopher Marlowe, The Massacre at Paris, ed. Mathew R. Martin (Manchester: Manchester University Press/The Revels Plays, 2021)
A review of Mathew R. Martin's new edition of Marlowe's Massacre at Paris....

