Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Introduction

View through CrossRef
Digital technology rapidly permeated all aspects of human existence in the majority of the world during the early twenty-first century, concurrently reshaping social understanding of the present and interpretations of the past. Indeed, the process has reconditioned age-old social communication and expression practices, while opening up inventive spaces for information organisation, data preservation, as well as for the creation and distribution of knowledge, beliefs and cultural values. The commercialisation of the Internet in the 1990s, coupled with the simultaneous emergence of the World Wide Web, have played a particularly significant role in the development and popularisation of public digital cultures (Gere 2008: 207-224). However, relying as such on digital technology for their exposure, sustainability and expansion, digital cultures were not as conspicuous back then as they turned out to be, especially in the 2010s when social media platforms, augmented reality (AR), artificial intelligence (AI) and smart communication devices rose to prominence and became integrated across the otherwise discontinuous geographies dominated by technologically-advanced nations. Since then, it has hardly been possible not to be conscious of how digital cultures have re-energised well-established cultural memories and legacies, on the one hand, and perpetuated innovative cultural dispositions, on the other. In doing so, digital technology, and perhaps digital cultures more specifically, have adapted a set of recognised traditional identities to the social pressures and political demands of life in the twenty-first century. At the same time, they have given expression to otherwise marginalised, non-conformist, and even contentious identities.
Title: Introduction
Description:
Digital technology rapidly permeated all aspects of human existence in the majority of the world during the early twenty-first century, concurrently reshaping social understanding of the present and interpretations of the past.
Indeed, the process has reconditioned age-old social communication and expression practices, while opening up inventive spaces for information organisation, data preservation, as well as for the creation and distribution of knowledge, beliefs and cultural values.
The commercialisation of the Internet in the 1990s, coupled with the simultaneous emergence of the World Wide Web, have played a particularly significant role in the development and popularisation of public digital cultures (Gere 2008: 207-224).
However, relying as such on digital technology for their exposure, sustainability and expansion, digital cultures were not as conspicuous back then as they turned out to be, especially in the 2010s when social media platforms, augmented reality (AR), artificial intelligence (AI) and smart communication devices rose to prominence and became integrated across the otherwise discontinuous geographies dominated by technologically-advanced nations.
Since then, it has hardly been possible not to be conscious of how digital cultures have re-energised well-established cultural memories and legacies, on the one hand, and perpetuated innovative cultural dispositions, on the other.
In doing so, digital technology, and perhaps digital cultures more specifically, have adapted a set of recognised traditional identities to the social pressures and political demands of life in the twenty-first century.
At the same time, they have given expression to otherwise marginalised, non-conformist, and even contentious identities.

Related Results

Optimization of load introduction points in sandwich structures with additively manufactured cores
Optimization of load introduction points in sandwich structures with additively manufactured cores
This paper presents how numerical optimization methods, like topology optimization, and new design possibilities through additive manufacturing (AM) can be used for structural impr...
Introduction
Introduction
The introduction offers a first presentation of the philosophical tradition of romantic empiricism, enumerates its most important insights, and suggestively indicating its continue...
Introduction
Introduction
Abstract The guest editors' introduction to ARTMargins Issue 1:2–3 proposes that the dynamic marginal art scenes that developed under Latin American military dictato...
Four Criteria to Evaluate Providers' Service-Delivery Response to New Contraceptive Introduction
Four Criteria to Evaluate Providers' Service-Delivery Response to New Contraceptive Introduction
This article presents an evaluation framework developed to assess the first-level effects of introducing the Standard Days Method (SDM) in Peru Ministry of Health clinics. Four que...
Introduction: Remixing the Classics
Introduction: Remixing the Classics
Abstract Drawing on the findings of the Remixing the Classics research network, this introduction highlights the importance of both digital culture and classic liter...
Introduction: Plant Performance
Introduction: Plant Performance
Plants perform their own interests and purposes. Plants perform in ways that afford and invite specific human experiences. Plants also perform complex biopolitical roles. With thes...
Introduction
Introduction
The introduction gives an overview of the goddess Baijie’s four identities and the book’s main themes of religion, ethnicity, and gender. It starts by examining the relationship be...
Introduction
Introduction
The introduction begins by indicating an almost paradoxical dynamic of philosophy and politics that gives shape to Butler’s thought. The double commitment – to urgency of action an...

Back to Top