Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

A Comprehensive Analysis of Hakka Music Culture Education in Jiangxi: Surveys, Performance Evaluations and Future Directions

View through CrossRef
This study comprehensively analyzes Hakka music culture education in Jiangxi. It more specifically  surveys the performance  and presents certain evaluations  for the future directions. The study employed a qualitative research methodology, which involved conducting interviews, administering questionnaires and making observations. According to results from student and teacher polls at Gannan Normal University, students had various levels of familiarity and involvement with Hakka music and an acknowledged need for its inclusion in the music curriculum. At Jiangxi Science and Technology Normal University, an organized teaching strategy combining theoretical and practical components has resulted in remarkable successes in Hakka music education. Similarly, Jiangxi Normal University's comprehensive curriculum in the Hakka music and dance studies program stresses the inheritance and creation of regional cultural history despite ongoing obstacles to promoting traditional forms such as the Gannan Tea Picking Opera. Evaluating student knowledge and performance in Jiangxi Hakka music culture finds a generally favorable reception and competency among students; nonetheless, there are places for growth, particularly in mastering performance skills and addressing individual learning requirements in big class settings. These findings highlight the necessity of specific efforts, such as improving educational resources, recruiting skilled instructors, and utilizing creative teaching methods to efficiently preserve and advance Jiangxi Hakka music.
Title: A Comprehensive Analysis of Hakka Music Culture Education in Jiangxi: Surveys, Performance Evaluations and Future Directions
Description:
This study comprehensively analyzes Hakka music culture education in Jiangxi.
It more specifically  surveys the performance  and presents certain evaluations  for the future directions.
The study employed a qualitative research methodology, which involved conducting interviews, administering questionnaires and making observations.
According to results from student and teacher polls at Gannan Normal University, students had various levels of familiarity and involvement with Hakka music and an acknowledged need for its inclusion in the music curriculum.
At Jiangxi Science and Technology Normal University, an organized teaching strategy combining theoretical and practical components has resulted in remarkable successes in Hakka music education.
Similarly, Jiangxi Normal University's comprehensive curriculum in the Hakka music and dance studies program stresses the inheritance and creation of regional cultural history despite ongoing obstacles to promoting traditional forms such as the Gannan Tea Picking Opera.
Evaluating student knowledge and performance in Jiangxi Hakka music culture finds a generally favorable reception and competency among students; nonetheless, there are places for growth, particularly in mastering performance skills and addressing individual learning requirements in big class settings.
These findings highlight the necessity of specific efforts, such as improving educational resources, recruiting skilled instructors, and utilizing creative teaching methods to efficiently preserve and advance Jiangxi Hakka music.

Related Results

A bibliometric analysis of Hakka studies: Insights from WoS and CSSCI data using citespace
A bibliometric analysis of Hakka studies: Insights from WoS and CSSCI data using citespace
This study presents a bibliometric analysis of Hakka studies from 2004 to 2023, utilizing data from the Web of Science (WoS) and the Chinese Social Sciences Citation Index (CSSCI) ...
H akka C hinese
H akka C hinese
Originally, Hakka Chinese is an ethnic group widely concentrated in the provinces of Fujian, Guandong, and Jiangxi and mostly characterized by its own unique Southern Chinese cultu...
Eco-Compensation Mechanism Construction of Chongyi Hakka Terrace Ecosystem
Eco-Compensation Mechanism Construction of Chongyi Hakka Terrace Ecosystem
Chongyi Hakka Terrace is located in Chongyi County in the south of Jiangxi Province, which is the largest Hakka Terrace in China. As a special agricultural ecosystem, it provides m...
A Study on the Evolution of the Artistic Style of Hakka Music in the Contemporary Cultural Context
A Study on the Evolution of the Artistic Style of Hakka Music in the Contemporary Cultural Context
Traditional Hakka music, carried and performed in the Hakka dialect, possesses a strong rustic flavor. It constitutes an essential part of Hakka traditional culture and serves as a...
Hoklo Enclaves in Hakka Administrative Districts: Case Studies from Xinwu and Toufen, Taiwan
Hoklo Enclaves in Hakka Administrative Districts: Case Studies from Xinwu and Toufen, Taiwan
In Taiwan, interethnic relations between the Hoklo and Hakka peoples have traditionally been framed through “Hoklo as the majority and Hakka as the minority,” reflecting Hoklo domi...
Research on the Inheritance and Dissemination of Hakka Culture in the Digital Age: A Case Study of Fujian’s Shen Yuan Tulou
Research on the Inheritance and Dissemination of Hakka Culture in the Digital Age: A Case Study of Fujian’s Shen Yuan Tulou
This study explores the inheritance and dissemination of Hakka culture in the context of the digital era, taking Fujian Shen Yuan Tulou as a case study. The study analyses the phil...
Welcome to Approaches: Music Therapy & Special Music Education
Welcome to Approaches: Music Therapy & Special Music Education
Welcome to the inaugural issue of Approaches: Music Therapy & Special Music Education! Approaches is the first peer-reviewed journal in Greece which is dedicated to the fields ...
Owner Bound Music: A study of popular sheet music selling and music making in the New Zealand home 1840-1940
Owner Bound Music: A study of popular sheet music selling and music making in the New Zealand home 1840-1940
<p>From 1840, when New Zealand became part of the British Empire, until 1940 when the nation celebrated its Centennial, the piano was the most dominant instrument in domestic...

Back to Top