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A Comprehensive Analysis of Hakka Music Culture Education in Jiangxi: Surveys, Performance Evaluations and Future Directions
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This study comprehensively analyzes Hakka music culture education in Jiangxi. It more specifically surveys the performance and presents certain evaluations for the future directions. The study employed a qualitative research methodology, which involved conducting interviews, administering questionnaires and making observations.
According to results from student and teacher polls at Gannan Normal University, students had various levels of familiarity and involvement with Hakka music and an acknowledged need for its inclusion in the music curriculum. At Jiangxi Science and Technology Normal University, an organized teaching strategy combining theoretical and practical components has resulted in remarkable successes in Hakka music education. Similarly, Jiangxi Normal University's comprehensive curriculum in the Hakka music and dance studies program stresses the inheritance and creation of regional cultural history despite ongoing obstacles to promoting traditional forms such as the Gannan Tea Picking Opera. Evaluating student knowledge and performance in Jiangxi Hakka music culture finds a generally favorable reception and competency among students; nonetheless, there are places for growth, particularly in mastering performance skills and addressing individual learning requirements in big class settings. These findings highlight the necessity of specific efforts, such as improving educational resources, recruiting skilled instructors, and utilizing creative teaching methods to efficiently preserve and advance Jiangxi Hakka music.
Raiya Academic International LLC
Title: A Comprehensive Analysis of Hakka Music Culture Education in Jiangxi: Surveys, Performance Evaluations and Future Directions
Description:
This study comprehensively analyzes Hakka music culture education in Jiangxi.
It more specifically surveys the performance and presents certain evaluations for the future directions.
The study employed a qualitative research methodology, which involved conducting interviews, administering questionnaires and making observations.
According to results from student and teacher polls at Gannan Normal University, students had various levels of familiarity and involvement with Hakka music and an acknowledged need for its inclusion in the music curriculum.
At Jiangxi Science and Technology Normal University, an organized teaching strategy combining theoretical and practical components has resulted in remarkable successes in Hakka music education.
Similarly, Jiangxi Normal University's comprehensive curriculum in the Hakka music and dance studies program stresses the inheritance and creation of regional cultural history despite ongoing obstacles to promoting traditional forms such as the Gannan Tea Picking Opera.
Evaluating student knowledge and performance in Jiangxi Hakka music culture finds a generally favorable reception and competency among students; nonetheless, there are places for growth, particularly in mastering performance skills and addressing individual learning requirements in big class settings.
These findings highlight the necessity of specific efforts, such as improving educational resources, recruiting skilled instructors, and utilizing creative teaching methods to efficiently preserve and advance Jiangxi Hakka music.
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