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Whistler and his Mother
View through Harvard Museums
Department of Modern & Contemporary Art
Mr. and Mrs. Stuart P. Feld New York New York gift; to Fogg Art Museum 1975.
Harvard Art Museums/Fogg Museum Gift of Mr. and Mrs. Stuart P. Feld
Related Results
Arthur (James) Lewis (1824-1901), husband of Kate Terry, and grandfather of John Gielgud. It appears he was also a painter and a musician, with a connection to J M Whistler.
Arthur James Lewis was a London landscape and portrait painter, and illustrator.
Arthur (James) Lewis (1824-1901), husband of Kate Terry, and grandfather of John Gielgud. It appears he was also a painter and a musician, with a connection to J M Whistler.
Arthur James Lewis was a London landscape and portrait painter, and illustrator.
Arthur (James) Lewis (1824-1901), husband of Kate Terry, and grandfather of John Gielgud. It appears he was also a painter and a musician, with a connection to J M Whistler.
Arthur...
A Girl in Japanese Gown. The Kimono
A Girl in Japanese Gown. The Kimono
After the opening-up of Japan and the expansion of trade routes in the mid-nineteenth century, Japonisme immediately spread across Europe and America. Just as the paintings of the ...
Mother and Child
Mother and Child
Renoir once quipped that had God not created the female breast, he might never have become an artist. Indeed, the full, womanly bosom figures prominently in Renoir's loving portray...
Pink and Gold: The Neapolitan
Pink and Gold: The Neapolitan
Carmen Rossi, the sitter of this small portrait, was an Italian girl who posed for Whistler as a child and later, during the 1890s, became his favourite model. In addition to being...
The Naughty Drummer
The Naughty Drummer
Nicolaes Maes initiated his artistic studies in his native city and completed his training in Rembrandt’s studio where he worked from the late 1640s until 1653. From his early year...
[Mrs Whistler, after Whistler]: [estampe]/H. Gerard; J. Whistler pinx.
[Mrs Whistler, after Whistler]: [estampe]/H. Gerard; J. Whistler pinx.
Bibliographical Reference: Bertin, 546...
Tirthankara Suparsvanatha in Kayotsarga, or Standing Meditation, Posture and Protected by a Five-Headed Naga
Tirthankara Suparsvanatha in Kayotsarga, or Standing Meditation, Posture and Protected by a Five-Headed Naga
Formerly thought to represent Parsvanatha, Jainism’s twenty-third Tirthankara, this sculpture has now been identified as Suparsvanatha, Jainism’s seventh Tirthankara. According to ...