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View of the Temple of Isis, showing the reconstruced parts etched in line and the existing parts in chiaroscuro, from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece..
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Etching, Antiquités de Pompeïa tome second Antiquités de la Grande Grèce aujourd'hui Royaume de Naples Gravées par Francois Piranesi Membre de l'Académie de Stockolm et Ancien Ministre de la Cour de Suède a celle de Rome d'après les Dessins Originaux et les Observations Locales du feu Célébre Architete Peintre Sculpteur Greveur Le Chev.er Jean-Baptise Piranesi; rédigées et expliqués par Antoine-Joseph Guattani
Antiquités de Pompeïa tome second Antiquités de la Grande Grèce aujourd'hui Royaume de Naples Gravées par Francois Piranesi Membre de l'Académie de Stockolm et Ancien Ministre de la Cour de Suède a celle de Rome d'après les Dessins Originaux et les Observations Locales du feu Célébre Architete Peintre Sculpteur Greveur Le Chev.er Jean-Baptise Piranesi; rédigées et expliqués par Antoine-Joseph Guattani, Drawings and Prints, Metropolitan Museum of Art New York NY, Rogers Fund transferred from the Library
Title: View of the Temple of Isis, showing the reconstruced parts etched in line and the existing parts in chiaroscuro, from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece..
Description:
Etching, Antiquités de Pompeïa tome second Antiquités de la Grande Grèce aujourd'hui Royaume de Naples Gravées par Francois Piranesi Membre de l'Académie de Stockolm et Ancien Ministre de la Cour de Suède a celle de Rome d'après les Dessins Originaux et les Observations Locales du feu Célébre Architete Peintre Sculpteur Greveur Le Chev.
er Jean-Baptise Piranesi; rédigées et expliqués par Antoine-Joseph Guattani.
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Cut-aways of the Temple of Isis in Pompeii, and of the adjacent part, double the proportion etched on the previous plate; the parts shown in chiaroscuro still exist; the parts etched in line are reconstructions, from "Antiquités de Pompeïa, tome second, A
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