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Plate 17: scene of prison and the death of malcontents from the north, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
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Linocut, Estampas de la Revolución Mexicana (Prints of the Mexican Revolution)
Estampas de la Revolución Mexicana (Prints of the Mexican Revolution), Drawings and Prints, Metropolitan Museum of Art New York NY, Gift of Norman S. Rothschild 1993
Title: Plate 17: scene of prison and the death of malcontents from the north, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
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Linocut, Estampas de la Revolución Mexicana (Prints of the Mexican Revolution).
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Plate 20: Francisco I Madero in prison drawing up his 'Plan of San Luis de Potosí', from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
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Plate 84: the industrialisation of Mexico, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
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Plate 83: the new Mexican army, a soldier listening to people from the land, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
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Plate 22: Aquiles Serdán and his family in Puebla on 18 November 1910, firing the first shots and beginning the revolution, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
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Plate 55: a worker of the Revolution, standing, holding a rifle, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
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Plate 81: The synarchists, scene with soldiers relating to the National Synarchist Union, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
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Plate 8: The young Emiliano Zapata watching a scene in which workers in a field carry heavy loads, while others are being whipped, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
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Plate 58: figures gathering the dead, an allegory of the sovereignty of the village, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
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