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‘HOW I BECAME A COMPOSER’: AN INTERVIEW WITH VINKO GLOBOKAR

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AbstractThis article is an interview with the Franco-Slovenian composer, conductor and trombonist Vinko Globokar, translated, edited and introduced by the author. It offers an overview of Globokar's musical development and a consideration of his artistic position, which straddles the worlds of composition and improvisation. Globokar's music combines complex organisation with an interest in non-hierarchical and improvisatory elements. He has always refused to pit the avant-garde claims of contemporary music against those of free jazz, his music embracing aspects of both, as well as of traditional Balkan musics. His genre-defying approach remains better known in continental Europe than in the UK or North America, and the present text is a contribution to the limited bibliography on Globokar in English.
Cambridge University Press (CUP)
Title: ‘HOW I BECAME A COMPOSER’: AN INTERVIEW WITH VINKO GLOBOKAR
Description:
AbstractThis article is an interview with the Franco-Slovenian composer, conductor and trombonist Vinko Globokar, translated, edited and introduced by the author.
It offers an overview of Globokar's musical development and a consideration of his artistic position, which straddles the worlds of composition and improvisation.
Globokar's music combines complex organisation with an interest in non-hierarchical and improvisatory elements.
He has always refused to pit the avant-garde claims of contemporary music against those of free jazz, his music embracing aspects of both, as well as of traditional Balkan musics.
His genre-defying approach remains better known in continental Europe than in the UK or North America, and the present text is a contribution to the limited bibliography on Globokar in English.

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