Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

A Wood of Our Own

View through CrossRef
Abstract In 1985 the author fulfilled for himself every forester's ambition - ownership of a woodland to manage and enjoy exactly as he thought fit. With his brother-in-law, he bought a neglected woodland in Hampshire and, with the help of family and friends, has brought it back to a working woodland, employing a combination of ancient and modern rural skills. A Wood of Our Own tells the story of all that has happened since the idea germinated: making the purchase, replanting, encounters with people and animals, the drama of two great gales, unravelling the history of the wood, and selling the timber. Julian Evans, forester for twenty-five years, author of two professional forestry books, and currently Chief Research Officer for the Forestry Commission, combines anecdote, natural history, and professional wisdom in a gripping story. The factual account of the purchase and management of the wood runs alongside an entertaining description of the people, events, and incidents associated with it. Fine cameo line drawings by John White, artist and forester, accompany the text.
Title: A Wood of Our Own
Description:
Abstract In 1985 the author fulfilled for himself every forester's ambition - ownership of a woodland to manage and enjoy exactly as he thought fit.
With his brother-in-law, he bought a neglected woodland in Hampshire and, with the help of family and friends, has brought it back to a working woodland, employing a combination of ancient and modern rural skills.
A Wood of Our Own tells the story of all that has happened since the idea germinated: making the purchase, replanting, encounters with people and animals, the drama of two great gales, unravelling the history of the wood, and selling the timber.
Julian Evans, forester for twenty-five years, author of two professional forestry books, and currently Chief Research Officer for the Forestry Commission, combines anecdote, natural history, and professional wisdom in a gripping story.
The factual account of the purchase and management of the wood runs alongside an entertaining description of the people, events, and incidents associated with it.
Fine cameo line drawings by John White, artist and forester, accompany the text.

Related Results

Wood Science for Conservation of Cultural Heritage – Florence 2007
Wood Science for Conservation of Cultural Heritage – Florence 2007
COST Action IE0601 "Wood Science for Conservation of Cultural Heritage" (www.woodculther.org) aims to improve the conservation (including study, preventive conservation and restora...
Sculpture in Wood
Sculpture in Wood
Jack C. Rich, Technique, 1970, Dover Publications...
Charles B. Wood, III
Charles B. Wood, III
Charles B. Wood III Inc., American Art, 1972, Charles B. Wood, III Inc....
Sculpture in wood
Sculpture in wood
Percival Edward Norman, Sculpture, 1954, Transatlantic Arts...
The techniques of wood sculpture
The techniques of wood sculpture
Orchard, David., Technique, 1985, Batsford...
The technique of wood sculpture
The technique of wood sculpture
Chaim Gross, Sculpture, April 1977, Vista House...
Out of the Wood
Out of the Wood
Rosemary Kilbourn, Wood-engraving, Nov 15, 2012, Porcupine's Quill...
Wood engravings
Wood engravings
Fred Thomas Larson, Wood-engraving, 1938, The Black cat press...

Back to Top