Javascript must be enabled to continue!
Zhuangzi
View through CrossRef
The Zhuangzi is a Daoist text usually associated with ‘Master Zhuang’ (fourth century bc), also known as Zhuang Zhou. Scholarly consensus regards the thirty-three chapters of this text to be composite, containing passages that offer different and sometimes even contradictory interpretations of basic Daoist tenets. The opening seven ‘inner chapters’ are traditionally thought to be from the hand of Master Zhuang himself, while the remaining ‘outer’ and ‘miscellaneous’ chapters are taken to be later elaborations and commentary by members of what retrospectively can be called a Master Zhuang school, or better, lineage. As a philosophical text, the Zhuangzi is for the most part addressed to the project of personal realization, and only derivatively concerned about social and political order. As one of the finest pieces of literature in the classical Chinese corpus, the Zhuangzi is itself an object lesson in marshalling every trope and literary device available to provide rhetorically charged flashes of insight into the most creative way to live one’s life in the world.
Title: Zhuangzi
Description:
The Zhuangzi is a Daoist text usually associated with ‘Master Zhuang’ (fourth century bc), also known as Zhuang Zhou.
Scholarly consensus regards the thirty-three chapters of this text to be composite, containing passages that offer different and sometimes even contradictory interpretations of basic Daoist tenets.
The opening seven ‘inner chapters’ are traditionally thought to be from the hand of Master Zhuang himself, while the remaining ‘outer’ and ‘miscellaneous’ chapters are taken to be later elaborations and commentary by members of what retrospectively can be called a Master Zhuang school, or better, lineage.
As a philosophical text, the Zhuangzi is for the most part addressed to the project of personal realization, and only derivatively concerned about social and political order.
As one of the finest pieces of literature in the classical Chinese corpus, the Zhuangzi is itself an object lesson in marshalling every trope and literary device available to provide rhetorically charged flashes of insight into the most creative way to live one’s life in the world.
Related Results
Harmonizing Diversity: Insights from Zhuangzi’s Concept of Zhi 知
Harmonizing Diversity: Insights from Zhuangzi’s Concept of Zhi 知
Zhuangzi articulates a framework for harmonizing diversity in both thought and practice. An in-depth analysis of the concept of zhi 知 is essential for understanding Zhuangzi’s pers...
A Comparative Study of Zhuangzi and Nietzsche’s Tragic Vision and Aestheticism
A Comparative Study of Zhuangzi and Nietzsche’s Tragic Vision and Aestheticism
Abstract
This article argues that both Zhuangzi and Nietzsche’s aestheticism is a means of overcoming their tragic vision of life. Nietzsche’s aesthetic state of Dio...
Empathy in the Zhuangzi
Empathy in the Zhuangzi
AbstractThis article investigates elements of empathy in the Zhuangzi 莊子. It outlines four prominent aspects of current scholarship on empathy: different types of empathy, the othe...
Transcending Individual Traditions: Zhang Taiyan’s Interpretation of Zhuangzi’s Notion of Chengxin
Transcending Individual Traditions: Zhang Taiyan’s Interpretation of Zhuangzi’s Notion of Chengxin
This article examines the nuanced interpretations of chengxin 成心 in the Zhuangzi 莊子, a foundational Daoist text, across different philosophical traditions. Historically, Daoist thi...
A Never-Stable Word: Zhuangzi's Zhiyan and
‘Tipping-Vessel’ Irrigation
A Never-Stable Word: Zhuangzi's Zhiyan and
‘Tipping-Vessel’ Irrigation
The zhiyan described in the
“Entrusted Words” chapter of the
Zhuangzi
...
Names and words in the philosophy of Zhuangzi
Names and words in the philosophy of Zhuangzi
The examination of names and words constitutes an important aspect of the philosophy of Zhuangzi. With the debate over the relationship between name and reality as its background, ...
The Advantages, Shortcomings, and Existential Issues of Zhuangzi’s Use of Images
The Advantages, Shortcomings, and Existential Issues of Zhuangzi’s Use of Images
Zhuangzi is considered a creative poet-philosopher because of his use of imaginative images. He used the imaginative images of his system to construct the world of the Dao. He left...
Surrendering to and Transcending Ming 命 in the Analects, Mencius and Zhuangzi
Surrendering to and Transcending Ming 命 in the Analects, Mencius and Zhuangzi
This article examines the concept of ming 命 (mandate/command or fate/destiny) in the Analects, Mencius, and Zhuangzi, exploring its relationship to tian 天 (Heaven). Across these wo...

