Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Verg. Aen. 9. 427: A linguist’s perspective

View through CrossRef
This article offers a linguistic commentary on the verse Verg. Aen. 9. 427 me, me, adsum qui feci, in me conuertite ferrum, in which the personal pronoun in the accusative needs interpretation. Since the time of Servius and Donatus, the opinions of commentators have been divided. Servius and his followers believe that the pronoun in the accusative is a direct complement that depends on an implied (omitted) verb like interficite, occidite, or petite, and consider this place as a rhetorical figure of aposiopesis. Donatus, on the other hand, argues that the accusative me, me is independent, while discontinuous intonation with which the whole verse must be uttered emphasizes the extreme degree of despair of Nisus, who cannot prevent the death of his beloved friend Euryalus. A review of the commentaries on the Aeneid shows that there are slightly more supporters of Donatus’ hypothesis than that of Servius’, but all of their reasoning is intuitive and does not explain why it is the syntactically independent accusative that gives the agitated sounding to Nisus’ last words. The author of the article applies the pragmatic approach to the interpretation of this place, analyzing similar examples of “non-syntactic” use of the accusative and considering both traditional and modern views on this phenomenon. As a result, the author comes to the conclusion that the verse under consideration corresponds to what in modern linguistics is called “cleft construction”. Such constructions exist in different languages and serve to express the focus of contrast. At the end of the study, the author attempts to answer the question of why Latin employs the accusative as a tool to express intense emotions.
Saint Petersburg State University
Title: Verg. Aen. 9. 427: A linguist’s perspective
Description:
This article offers a linguistic commentary on the verse Verg.
Aen.
9.
427 me, me, adsum qui feci, in me conuertite ferrum, in which the personal pronoun in the accusative needs interpretation.
Since the time of Servius and Donatus, the opinions of commentators have been divided.
Servius and his followers believe that the pronoun in the accusative is a direct complement that depends on an implied (omitted) verb like interficite, occidite, or petite, and consider this place as a rhetorical figure of aposiopesis.
Donatus, on the other hand, argues that the accusative me, me is independent, while discontinuous intonation with which the whole verse must be uttered emphasizes the extreme degree of despair of Nisus, who cannot prevent the death of his beloved friend Euryalus.
A review of the commentaries on the Aeneid shows that there are slightly more supporters of Donatus’ hypothesis than that of Servius’, but all of their reasoning is intuitive and does not explain why it is the syntactically independent accusative that gives the agitated sounding to Nisus’ last words.
The author of the article applies the pragmatic approach to the interpretation of this place, analyzing similar examples of “non-syntactic” use of the accusative and considering both traditional and modern views on this phenomenon.
As a result, the author comes to the conclusion that the verse under consideration corresponds to what in modern linguistics is called “cleft construction”.
Such constructions exist in different languages and serve to express the focus of contrast.
At the end of the study, the author attempts to answer the question of why Latin employs the accusative as a tool to express intense emotions.

Related Results

Evaluating the Impact of a Culturally Localized Geo-Visualization Platform on Geoscience Learning: The Arabic Earth Now Platform Study
Evaluating the Impact of a Culturally Localized Geo-Visualization Platform on Geoscience Learning: The Arabic Earth Now Platform Study
Arabic Earth Now (AEN) is an interactive data visualization platform, initially developed as a localization version of NASA’s Eyes to visualize satellite data and provide learning ...
HERCULES AND THE STONE TREE: AENEID 8.233–40
HERCULES AND THE STONE TREE: AENEID 8.233–40
In ancient literature and religion, Hercules—in common with many other deities—is frequently associated with particular trees or types of tree. There are tales connecting him with ...
Acute Esophageal Necrosis Early after Renal Transplantation
Acute Esophageal Necrosis Early after Renal Transplantation
Background. Acute esophageal necrosis (AEN) is defined as a diffused black discoloration of the esophageal mucosa involving mainly the distal part of the esophagus. It is considere...
Crossing the Borders
Crossing the Borders
All of Mercury’s three interventions in the Aeneid are engaged in a profound intertextual dialogue with Homer and Apollonius. Mercury’s first visit to Carthage (Aen. 1.297–304) ech...
Spatial Thinking and Visualization: Teaching the Essential Principles of Perspective Drawing
Spatial Thinking and Visualization: Teaching the Essential Principles of Perspective Drawing
Perspective drawing is a system for creating a two-dimensional illusion of a three-dimensional subject or three-dimensional space. Information, whether observed (empirically based)...
Toga
Toga
AbstractThe Romans saw themselves astogati(“people of the toga,” Verg.Aen. 1.282): the importance of this garment, which distinguished male citizens from non‐citizens, to Roman lif...
Famous Hyperboreans
Famous Hyperboreans
<p>The individual Hyperboreans appearing in ancient literature are presented with a review of the Greek and Latin sources and collections of references. Most of the mythologi...
Duppying yoots in a dog eat dog world, kmt: Determining the senses of slang terms for the Courts
Duppying yoots in a dog eat dog world, kmt: Determining the senses of slang terms for the Courts
AbstractI describe and discuss a series of court cases that focus upon on decoding the meaning of slang terms. Examples include sexual slang used in a description by a child and an...

Back to Top