Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Intaglio Printmaking

View through CrossRef
Intaglio is the general name used to describe all printmaking processes where the artist incises or engraves the surface of a plate either directly with tools or indirectly with chemicals in order to pull a print from it. Although the techniques that come under this category are labelled traditional they are also among the most popular and widely used techniques in contemporary printmaking. The direct methods include techniques such as drypoint, engraving and mezzotint and the indirect methods include etching and aquatint. In this book Mychael Barratt introduces the reader to both the direct and indirect techniques and shows examples of an international range of artists whose work will serve as an inspiration. These artists include Goya, Rembrandt, Durer, Picasso, John Heagan Eames, Paula Rego and Chris Orr.
A&C Black Publishers Limited
Title: Intaglio Printmaking
Description:
Intaglio is the general name used to describe all printmaking processes where the artist incises or engraves the surface of a plate either directly with tools or indirectly with chemicals in order to pull a print from it.
Although the techniques that come under this category are labelled traditional they are also among the most popular and widely used techniques in contemporary printmaking.
The direct methods include techniques such as drypoint, engraving and mezzotint and the indirect methods include etching and aquatint.
In this book Mychael Barratt introduces the reader to both the direct and indirect techniques and shows examples of an international range of artists whose work will serve as an inspiration.
These artists include Goya, Rembrandt, Durer, Picasso, John Heagan Eames, Paula Rego and Chris Orr.

Related Results

Practical Printmaking
Practical Printmaking
This book presents an overview of the core printmaking areas: intaglio, lithography, collagraph, monoprinting, relief printing and screenprinting. There are also sections on Health...
Installations and Experimental Printmaking
Installations and Experimental Printmaking
Practical examples and inspiration to explore the experimental aspects of printmaking. Alexia Tala explores and investigates the new experimental forms of printmaking, wh...
Critical Mass
Critical Mass
This exciting new book showcases the work of a very diverse selection of 52 artists from 28 countries, against a spectrum of the concerns that inform the role and function of art i...
Printmaking at the Edge
Printmaking at the Edge
Printmaking at the Edge explores the innovative techniques printmakers are using today. The topics covered range from the challenges of new technology and materials (for example, t...
Ink for Printmaking
Ink for Printmaking
The ultimate guide to printing inks and processes, from the pigment to the printmaker. Inks have remained a fundamental aspect of the printing process since its invention...
Collagraphs and Mixed-Media Printmaking
Collagraphs and Mixed-Media Printmaking
Collagraphs are prints made from collages, relief sculpture, carved, stripped or layered plates, or mixed media. Material can be added to prints at any stage, which means that this...
The Story of the Fallen Cone
The Story of the Fallen Cone
The output is a collection of eight prints (each 20 x 30cm), which is the outcome of practice-based research into printmaking processes – particularly etching – and expanding the p...
Intaglio printing in the 1980s
Intaglio printing in the 1980s
Rutgers Archives for Printmaking Studios....

Back to Top