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Parménid ali Parmeníd: Pravda, ki sploh ni črkarska
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Jeziki, ki so grške tujke in imena neposredno ali posredno prevzemali prek latinščine, grška imena praviloma naglašajo po latinsko. Pravilo ima celo v italijanščini veliko izjem, vendar se je v primeru dublet vsaj v akademskih krogih uveljavilo kot norma (t. i. lex Perrottae). Po drugi strani pa je v literarnih prevodih grško naglašanje grških imen pogosto. Prevajalci se h grškemu naglasu ne zatekajo samo metri causa. Često gre za zavestno izbiro, za evokativni, komemorativni vpis imena v njegovem izvornem zvenu. Primeri tega so že pri rimskem epiku Eniju. Dilema torej ni samo pravopisna. V duhu teorije govornih dejanj lahko nezaznamovani latinski naglas povežemo z denotativno, grškega pa s performativno, »obredno« rabo. Avtor prispevka meni, da je v vsakdanji, »sekularni« rabi latinski naglas edina zgodovinsko utemeljena zdravorazumska izbira, v literarnih prevodih pa je treba dopustiti večjo svobodo.
Title: Parménid ali Parmeníd: Pravda, ki sploh ni črkarska
Description:
Jeziki, ki so grške tujke in imena neposredno ali posredno prevzemali prek latinščine, grška imena praviloma naglašajo po latinsko.
Pravilo ima celo v italijanščini veliko izjem, vendar se je v primeru dublet vsaj v akademskih krogih uveljavilo kot norma (t.
i.
lex Perrottae).
Po drugi strani pa je v literarnih prevodih grško naglašanje grških imen pogosto.
Prevajalci se h grškemu naglasu ne zatekajo samo metri causa.
Često gre za zavestno izbiro, za evokativni, komemorativni vpis imena v njegovem izvornem zvenu.
Primeri tega so že pri rimskem epiku Eniju.
Dilema torej ni samo pravopisna.
V duhu teorije govornih dejanj lahko nezaznamovani latinski naglas povežemo z denotativno, grškega pa s performativno, »obredno« rabo.
Avtor prispevka meni, da je v vsakdanji, »sekularni« rabi latinski naglas edina zgodovinsko utemeljena zdravorazumska izbira, v literarnih prevodih pa je treba dopustiti večjo svobodo.
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