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Haine, amore, pastiche: Shakespeare, Testori, De Filippo
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En étudiant les réécritures shakespeariennes de Giovanni Testori et d’Eduardo
De Filippo, l’article s’efforce d’analyser le rapport de recréation – entre haine, amour et pastiche – que le théâtre italien de la fin du XXe siècle entretient avec Shakespeare,
en se focalisant sur la tradition dialectale et plurilingue qui a marqué de son empreinte l’histoire du théâtre italien.
Title: Haine, amore, pastiche: Shakespeare, Testori, De Filippo
Description:
En étudiant les réécritures shakespeariennes de Giovanni Testori et d’Eduardo
De Filippo, l’article s’efforce d’analyser le rapport de recréation – entre haine, amour et pastiche – que le théâtre italien de la fin du XXe siècle entretient avec Shakespeare,
en se focalisant sur la tradition dialectale et plurilingue qui a marqué de son empreinte l’histoire du théâtre italien.
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