Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Origin Stories

View through CrossRef
Abstract Chapter 2 delves into the origin stories surrounding Frances Ellen Watkins Harper and suggests a more complex, nuanced reading of Harper’s early years and a mode of biography that reflects extant traces of Harper’s life. It first explores her youth in Baltimore by complicating representations of her relationship with her uncle, Black activist-teacher William Watkins; it argues that Harper existed in much wider networks beyond Watkins’s individual orbit. It then turns to Harper’s teaching at Union Seminary in Columbus, Ohio, in the early 1850s, alongside future African Methodist Episcopal Church Bishop John Mifflin Brown to study how Harper built networks she would later engage as an itinerant lecturer, activist, and writer. It concludes with discussion of the years of her marriage to Fenton Harper (1860–1864)—years that saw the near-lynching of her sister-in-law and the chaos of her husband’s probate, as well as key contributions to Black print culture.
Title: Origin Stories
Description:
Abstract Chapter 2 delves into the origin stories surrounding Frances Ellen Watkins Harper and suggests a more complex, nuanced reading of Harper’s early years and a mode of biography that reflects extant traces of Harper’s life.
It first explores her youth in Baltimore by complicating representations of her relationship with her uncle, Black activist-teacher William Watkins; it argues that Harper existed in much wider networks beyond Watkins’s individual orbit.
It then turns to Harper’s teaching at Union Seminary in Columbus, Ohio, in the early 1850s, alongside future African Methodist Episcopal Church Bishop John Mifflin Brown to study how Harper built networks she would later engage as an itinerant lecturer, activist, and writer.
It concludes with discussion of the years of her marriage to Fenton Harper (1860–1864)—years that saw the near-lynching of her sister-in-law and the chaos of her husband’s probate, as well as key contributions to Black print culture.

Related Results

FEMALE CHARACTERS IN NGUYEN HUONG DUYEN'S SHORT STORIES
FEMALE CHARACTERS IN NGUYEN HUONG DUYEN'S SHORT STORIES
Female writer Nguyen Huong Duyen is a member of the Vietnam Writers Association. As a writer who has appeared on the lute for about 15 years, her work has given off new and differe...
Symbolic Violence in Children’s Stories: Content Analysis in Bobo Magazine
Symbolic Violence in Children’s Stories: Content Analysis in Bobo Magazine
The upper-class dominates various social spaces in society, including children’s stories. Children’s stories as a means of socializing values also participate in socializing upper-...
Introduction
Introduction
Abstract This small collection of Haitian women's reflections on the earthquake offers readers a kaleidoscopic view of how several women at home and in the diaspora ...
Gender Dimensions of «Life Stories» in Ukraine
Gender Dimensions of «Life Stories» in Ukraine
The article analyzes Ukrainian newspapers and magazines dedicated to life stories, their gender dimensions (authorship, publication heroes, and topics) are determined. Such periodi...
Traditions of Genesis and the Luba Diaspora
Traditions of Genesis and the Luba Diaspora
Origin stories are an important genre of central African oral traditions. Historians have long been intrigued by these stories, for their plots tell of the beginnings of societies ...
Shmuel Yosef Agnon
Shmuel Yosef Agnon
On August 8, 1887, Shmuel Yosef was born in Buchach, Galicia (today located in Ukraine) to Shalom Mordechai and Esther Czaczkes, the family being a traditional, religious observant...
Narrative Authority and Competing Representations: The Pat Hobby Stories and F. Scott Fitzgerald's Hollywood
Narrative Authority and Competing Representations: The Pat Hobby Stories and F. Scott Fitzgerald's Hollywood
Abstract F. Scott Fitzgerald spent the end of his life writing about the Hollywood movie industry and its forced writing collaborations, lack of authority for wri...

Back to Top