Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
Ultraschall Berlin, Festival für neue Musik, 2014
View through CrossRef
Ultraschall, jointly presented by Deutschlandradio Kultur and Kulturradio vom RBB (Rundfunk Berlin-Brandenburg), and this year officially renamed Ultraschall Berlin, has been a fixture of the city's concert life since 1999. Festival directors Rainer Pöllmann (Deutschlandradio Kultur) and Andreas Göbel (replacing Margarete Zander for Kulturradio vom RBB) chose to emphasise the two major broadcasters' partnership this year with what they called a ‘duo idea’ running through the festival's programme. Illustrating this theme, orchestral concerts (a pair) opened and closed the festival, the project New Forum Jeune Création paired each of three ensembles with two young composers, and performing duos included GranSchumacher Piano Duo, Claudia Barainsky and Axel Bauni in a concert for voice and piano, and a concert of string duos by members of Kammerensemble Neue Musik Berlin (who were however not appearing as representatives of this ensemble) with the featured composer/zither player Leopold Hurt, to name but a few. Additionally, a so-called epilogue after the festival's official ending was paired with something that one might have called a prologue, seemingly tacked on as an afterthought: an evening of Klangkunst, electro-acoustic music and performance entitled ‘Art's Birthday’ presented works by Hanna Hartman, Jana Winderen and Nicolas Bernier at the hub of Berlin's club culture, Berghain. Though internationally known in the techno scene for drugs, dancing and dark rooms, Berghain has also long been used as a venue for contemporary and experimental music concerts. The otherwise conservative choices of venue (Radialsystem V, Haus des Rundfunks, and HAU (Hebbel am Ufer) Theatres) and programme – Ultraschall sees itself more as a repertoire-establishing festival, with an emphasis not on premieres but on second and third performances alongside ‘masterpieces’ of contemporary and modern music – made this first concert appear a half-hearted jumping on the ‘new contexts’ bandwagon. And, alongside the repeated, excited announcements of the festival now having its own website (yes in 2014!), there was something of the sense of embarrassment one feels as a teenager bumping into one's parents at a night club.
Title: Ultraschall Berlin, Festival für neue Musik, 2014
Description:
Ultraschall, jointly presented by Deutschlandradio Kultur and Kulturradio vom RBB (Rundfunk Berlin-Brandenburg), and this year officially renamed Ultraschall Berlin, has been a fixture of the city's concert life since 1999.
Festival directors Rainer Pöllmann (Deutschlandradio Kultur) and Andreas Göbel (replacing Margarete Zander for Kulturradio vom RBB) chose to emphasise the two major broadcasters' partnership this year with what they called a ‘duo idea’ running through the festival's programme.
Illustrating this theme, orchestral concerts (a pair) opened and closed the festival, the project New Forum Jeune Création paired each of three ensembles with two young composers, and performing duos included GranSchumacher Piano Duo, Claudia Barainsky and Axel Bauni in a concert for voice and piano, and a concert of string duos by members of Kammerensemble Neue Musik Berlin (who were however not appearing as representatives of this ensemble) with the featured composer/zither player Leopold Hurt, to name but a few.
Additionally, a so-called epilogue after the festival's official ending was paired with something that one might have called a prologue, seemingly tacked on as an afterthought: an evening of Klangkunst, electro-acoustic music and performance entitled ‘Art's Birthday’ presented works by Hanna Hartman, Jana Winderen and Nicolas Bernier at the hub of Berlin's club culture, Berghain.
Though internationally known in the techno scene for drugs, dancing and dark rooms, Berghain has also long been used as a venue for contemporary and experimental music concerts.
The otherwise conservative choices of venue (Radialsystem V, Haus des Rundfunks, and HAU (Hebbel am Ufer) Theatres) and programme – Ultraschall sees itself more as a repertoire-establishing festival, with an emphasis not on premieres but on second and third performances alongside ‘masterpieces’ of contemporary and modern music – made this first concert appear a half-hearted jumping on the ‘new contexts’ bandwagon.
And, alongside the repeated, excited announcements of the festival now having its own website (yes in 2014!), there was something of the sense of embarrassment one feels as a teenager bumping into one's parents at a night club.
Related Results
Musik – Die schönste Nebensache
Musik – Die schönste Nebensache
Jugend und Musik ist ein Thema, dem sich die Medienpädagogik immer wieder von Neuem zuwenden muss. Die zentrale Position, die Musik im Fühlen, aber auch im Denken und Handeln der M...
Makalah Kritik Seni "Musik Gereja dan Hymne"
Makalah Kritik Seni "Musik Gereja dan Hymne"
MUSIK GEREJA DAN HYMNE A.Musik GerejaMusik gereja adalah penggunaan musik yang berkembang dan digunakan di gereja musik sangat penting dalam ibadah gereja, karena sebagian besar ke...
Analisis Musik Upacara Adat Bokas Di Desa Kalahien Kecamatan Dusun Selatan Kabupaten Barito Selatan
Analisis Musik Upacara Adat Bokas Di Desa Kalahien Kecamatan Dusun Selatan Kabupaten Barito Selatan
Musik merupakan bagian penting sebuah upacara dalam adat istiadat. Musik bagi msayarakat Dayak tidak hanya mempunyai peranan dalam kehidupan, tetapi mengandung nilai-nilai religius...
Music Theraphy
Music Theraphy
Berbagai permasalahan dalam pelaksanaan layanan konseling dialami konselor sekolah. Konselor belum mampu menerapkan konseling yang memiliki dampak yang signifikan bagi perubahan ti...
Pendekatan literasi musik: Upaya mengetahui persepsi mahasiswa pendidikan guru sekolah dasar tentang keragaman budaya musik Indonesia
Pendekatan literasi musik: Upaya mengetahui persepsi mahasiswa pendidikan guru sekolah dasar tentang keragaman budaya musik Indonesia
Bagi mahasiswa pendidikan guru sekolah dasar, pembelajaran musik menjadi matakuliah wajib yang harus dituntaskan. Dalam masyarakat multikultural, siswa pendidikan guru sekolah dasa...
FILSAFAT MUSIK DAN POSISINYA DALAM HINDUISME
FILSAFAT MUSIK DAN POSISINYA DALAM HINDUISME
Musik tidak terpisahkan dari kehidupan manusia sejak zaman kuno hingga sekarang baik itu sebagai identitas diri, identitas kelompok sosial, termasuk juga dalam beragama Hindu, meng...
GEDUNG MUSIK BANDA ACEH
GEDUNG MUSIK BANDA ACEH
Musik adalah bahasa manusia, karena dengan musik kita dapat mengekspresikan kemauan, atau isi hati kita tanpa harus mengerti terlebih dahulu bahasa yang dipakai oleh mereka yang me...
Penerapan Arsitektur Metafora Pada Concert Hall Di Medan
Penerapan Arsitektur Metafora Pada Concert Hall Di Medan
Musik adalah sebuah karya seni suara berupa lagu atau komposisi musik yang mengungkapkan pikiran dan perasaan pencipta melalui unsur-unsur musik. Musik sangat populer dan dinikmati...