Neorealist Film Culture, 1945‐1954: Rome, Open Cinema, Francesco Pitassio (2019)

This article first analyses how and why Italian neorealism was a catalyst for the emergence of other national cinemas in Latin America. It also delves into the case of the creation...

In spring 1986, Lindsay Anderson appeared in a television programme on British cinema. This was part of a series of three under the heading British Cinema: Personal View, produced ...

With the decline of Chinese independent cinema, art cinema has grown at a fast pace since the mid-2010s in China. There has been a convergence as well as a divergence of independen...

Purpose: The purposes of this research are to review Japanese government policies and business activities as to open innovation and to suggest implications for Korean government an...

In addition to providing a brief history of Faroese cinema in a broad perspective, this article examines the juxtaposition of the transnationalism of Nordic cinema and what could b...

King Matthias Corvinus of Hungary (1458‒1490), son of the “Scourge of the Turks,” John Hunyadi, was a foremost patron of early Renaissance art. He was only fourteen years old in 14...

The heritage film is generally considered to be a less commercial form of film-making, one which eschews populism for ‘quality’. This article seeks to question the distinctions dra...

In the late 1940s, the independent film quarterly Sequence, which championed a personal, committed cinema, stood for an attitude towards film-making that provided an important basi...