Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Introduction

View through CrossRef
This introductory chapter provides an overview of John Milton's Paradise Lost (1667). Paradise Lost tells the story of two falls. There is the unending fall of Satan and his followers, and there is the Fall—and spiritual regeneration—of Adam and Eve. Satan's story is the old epic dispensation, the search for temporal power as a zero-sum game driven by envy and the desire for glory above one's peers. It can only culminate in kingship, war, and destruction—and in alienation from God in a literal or mental hell. The fall of Adam and Eve tells the story of the new dispensation of Milton's epic: of how love between human beings, here exemplified in marital love, enables the love of God; of the experience of spiritual goods that exceed finite temporal ones; of hope for an existence beyond the finitude of death.
Princeton University Press
Title: Introduction
Description:
This introductory chapter provides an overview of John Milton's Paradise Lost (1667).
Paradise Lost tells the story of two falls.
There is the unending fall of Satan and his followers, and there is the Fall—and spiritual regeneration—of Adam and Eve.
Satan's story is the old epic dispensation, the search for temporal power as a zero-sum game driven by envy and the desire for glory above one's peers.
It can only culminate in kingship, war, and destruction—and in alienation from God in a literal or mental hell.
The fall of Adam and Eve tells the story of the new dispensation of Milton's epic: of how love between human beings, here exemplified in marital love, enables the love of God; of the experience of spiritual goods that exceed finite temporal ones; of hope for an existence beyond the finitude of death.

Related Results

Candrakīrti's Introduction to the Middle Way
Candrakīrti's Introduction to the Middle Way
Abstract Candrakīrti’s “Introduction to the Middle Way” (Madhyamakāvatāra) is a central work of Buddhist philosophy for two reasons. First, it provides an introducti...
Introduction to the Art of Singing by Johann Friedrich Agricola
Introduction to the Art of Singing by Johann Friedrich Agricola
Agricola published Introduction to the Art of Singing in Germany, in 1757, consisting of the 1723 treatise of the Italian singing teacher and castrato, Tosi, to which Agricola adde...
Introduction
Introduction
The Introduction argues that witnessing constitutes an important social, political, and moral mode of address in modern public culture. It justifies this main claim while also expl...
Introduction
Introduction
This introduction to the volume outlines the broader questions raised and answered through a cross-chronological study of tyranny and bad rule. It argues that, as an inversion of t...
Introduction
Introduction
In this chapter, we provide a brief introduction to our book. We discuss the following themes, which run throughout this edited book on depressive disorders and comorbidity: assess...
Literature and Sound Film in Mid-Century Britain
Literature and Sound Film in Mid-Century Britain
Abstract What happened to cinema and literature upon the introduction of synchronized sound film? Literature and Sound Film in Mid-Century Britain studies the paths ...
Contemporary American Fiction
Contemporary American Fiction
Abstract Contemporary American Fiction provides an introduction to American fiction since 1970. Offering substantial and detailed interpretations of more than thirty...
Aristotle: Rhetoric
Aristotle: Rhetoric
Edward Meredith Cope (1818–1873) was an English scholar of classics who served as Fellow and Tutor at Trinity College, Cambridge. One of the leading Greek specialists of his time, ...

Back to Top