Peter Clapham Sheppard, UNDER THE POPLARS, CHERRY BEACH (ca. 1939/40)

Design composed of very schematic cherry blossoms in grey and pale yellow together with silhouettes of bats in flight, in green and blue with geometric decoration inside (grids). T...

Unlike the Hudson River artists who, encouraged by the aesthetic categories of the sublime and the picturesque, centred on striking nature settings full of cataracts and large moun...

On a violet background, vertical lines of green bamboo with branches of flowering trees between them. In the foreground, large reishi mushrooms in blue or brown, sharply outlined i...

On a black background, a set of white round elements outlined in blue, grey and green, with a central hole, joined together by groups of five with red cords. \The groups with the ...

NCM 1939-2 employs a favourite compositional device of the artist where one bird flies towards others already on the ground. In the middle foreground, a white hen flaps her wings a...

Eugène Boudin’s exceptional ability to observe and record the fleeting effects of nature earned him a place as a precursor of the Impressionists. Though in palette and technique he...