Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Modus notandi: Sir Charles Cavendish’s notes on Thomas Hobbes and Walter Warner

View through CrossRef
Abstract This paper seeks to make a contribution to the history of early modern note-taking by examining the note-taking practices of Sir Charles Cavendish (1591–1653). Rather than viewing the notes as records and memoranda for strictly personal use, Cavendish’s notes are seen as a repository of information which he shared with other scholars. Note-taking and the recording of “quaeres” are shown to be socially extensive, involving exchanges via correspondence or in-person encounters, and sometimes involved more than two people. A close examination of manuscript notes on Walter Warner’s theories concerning the circulation of the blood and notes on Thomas Hobbes’s draft of De corpore reveal that Cavendish often gathered extracts from different sources on the same topic on the same manuscript page and was actively engaged in questioning the sources he was perusing and engaging others in those questions.
Walter de Gruyter GmbH
Title: Modus notandi: Sir Charles Cavendish’s notes on Thomas Hobbes and Walter Warner
Description:
Abstract This paper seeks to make a contribution to the history of early modern note-taking by examining the note-taking practices of Sir Charles Cavendish (1591–1653).
Rather than viewing the notes as records and memoranda for strictly personal use, Cavendish’s notes are seen as a repository of information which he shared with other scholars.
Note-taking and the recording of “quaeres” are shown to be socially extensive, involving exchanges via correspondence or in-person encounters, and sometimes involved more than two people.
A close examination of manuscript notes on Walter Warner’s theories concerning the circulation of the blood and notes on Thomas Hobbes’s draft of De corpore reveal that Cavendish often gathered extracts from different sources on the same topic on the same manuscript page and was actively engaged in questioning the sources he was perusing and engaging others in those questions.

Related Results

Margaret Cavendish
Margaret Cavendish
Margaret Cavendish, Duchess of Newcastle (b.1623–d. 1673), published at least six works of natural philosophy under her own name (the number depends on how one counts various secon...
Margaret Cavendish
Margaret Cavendish
Margaret Cavendish was the first woman to publish a great deal in English, and she did so under her own name. Her writing includes poetry, fiction, drama, biography, autobiography,...
Margaret Cavendish on Gender, Nature, and Freedom
Margaret Cavendish on Gender, Nature, and Freedom
Some scholars have argued that Margaret Cavendish was ambivalent about women's roles and capabilities, for she seems sometimes to hold that women are naturally inferior to men, but...
Natural Philosophy, Abstraction, and Mathematics among Materialists: Thomas Hobbes and Margaret Cavendish on Light
Natural Philosophy, Abstraction, and Mathematics among Materialists: Thomas Hobbes and Margaret Cavendish on Light
The nature of light is a focus of Thomas Hobbes’s natural philosophical project. Hobbes’s explanation of the light (lux) of lucid bodies differs across his works, from dilation and...
A Critical Study on the Comparative Performance of Dwarf Cavendish and Robusta in the Palar Basin of North Arcot District in Tamil Nadu
A Critical Study on the Comparative Performance of Dwarf Cavendish and Robusta in the Palar Basin of North Arcot District in Tamil Nadu
In banana the leading clones in world trade are Gros Michel, Lacatan, Robusta, Dwarf Cavendish and to lesser extent Lady's Finger (Virupakshi) in Australia. Of bananas entering the...
All That Glitters: Devaluing the Gold Standard in the Utopias of Thomas More, Francis Bacon, and Margaret Cavendish
All That Glitters: Devaluing the Gold Standard in the Utopias of Thomas More, Francis Bacon, and Margaret Cavendish
Francis Bacon’s and Margaret Cavendish’s ideal societies unexpectedly follow Thomas More’s Utopia in eliminating the exchange value of gold and replacing it with a knowledge econom...
Фронтиспис «Левиафана» как визуальный источник интерпретации идей Томаса Гоббса о демонологии
Фронтиспис «Левиафана» как визуальный источник интерпретации идей Томаса Гоббса о демонологии
Известный трактат Томаса Гоббса «Левиафан, или Материя, форма и власть государства церковного и гражданского» (1651) не только представляет собой обширный политический труд, но и в...
The ‘Mortall God’ Vindicated
The ‘Mortall God’ Vindicated
Abstract This brief concluding chapter traces the argumentative structure Hobbes erected to vindicate the sovereign from all taints of injustice. The conceptual buil...

Back to Top