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Translating images from India to Amsterdam in the eighteenth century
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Abstract
This article examines the physical interface of print and its role in translating beliefs not informed by a western theology of the imprint. A close reading of Jean Frédéric Bernard and Bernard Picart’s Cérémonies et coutumes religieuses (1723– 1743), with a focus on the section on religious practices in India, demonstrates the limitations of western typography and engraving in translating cultures formed outside of a material and physical history of the printed word and image.
Title: Translating images from India to Amsterdam in the eighteenth century
Description:
Abstract
This article examines the physical interface of print and its role in translating beliefs not informed by a western theology of the imprint.
A close reading of Jean Frédéric Bernard and Bernard Picart’s Cérémonies et coutumes religieuses (1723– 1743), with a focus on the section on religious practices in India, demonstrates the limitations of western typography and engraving in translating cultures formed outside of a material and physical history of the printed word and image.
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Alessandra Foscati, Saint Anthony’s Fire from Antiquity to the Eighteenth Century, Amsterdam, Amsterdam University Press, 2020, 264 páginas, ISBN 978-94-6298-334-2...