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Wine bottle, tin-glazed earthenware, inscribed 'CLARET 1662', London, dated 1662.
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Victoria and Albert Museum
Title: Wine bottle, tin-glazed earthenware, inscribed 'CLARET 1662', London, dated 1662.
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Livery-button, with lion rampant and an inscription, tin-glazed earthenware, painted in blue and ochre, probably made in London, ca. 1651. Livery button of tin-glazed earthenware, a pierced hemispherical boss on the back. The front is painted with a lion
Livery-button, with lion rampant and an inscription, tin-glazed earthenware, painted in blue and ochre, probably made in London, ca. 1651. Livery button of tin-glazed earthenware, a pierced hemispherical boss on the back. The front is painted with a lion
Livery-button, with lion rampant and an inscription, tin-glazed earthenware, painted in blue and ochre, probably made in London, ca. 1651. Livery button of tin-glazed earthenware, ...
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Lettering: Inscriptions on the surgical equipment which forms the costume of the surgeon are as follows. On the instrument on his head: Eleuatoire po' la Teste. On his right arm: B...
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Lettering: Inscriptions on the surgical equipment which forms the costume of the surgeon are as follows. On the instrument on his head: Eleuatoire po' la Teste. On his right arm: B...
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
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Lettering: Inscriptions on the surgical equipment which forms the costume of the surgeon are as follows. On the instrument on his head: Eleuatoire po' la Teste. On his right arm: B...
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Lettering: Inscriptions on the surgical equipment which forms the costume of the surgeon are as follows. On the instrument on his head: Eleuatoire po' la Teste. On his right arm: B...
Earthenware cane handle with blue arabesque decoration, from Moustiers-Sainte Marie, ca. 1720-ca. 1740. Baluster shaped earthenware cane handle, painted in blue with scrolling foliage, the end with a rosette. Tin-glazed earthenware, painted.
Earthenware cane handle with blue arabesque decoration, from Moustiers-Sainte Marie, ca. 1720-ca. 1740. Baluster shaped earthenware cane handle, painted in blue with scrolling foliage, the end with a rosette. Tin-glazed earthenware, painted.
Earthenware cane handle with blue arabesque decoration, from Moustiers-Sainte Marie, ca. 1720-ca. 1740. Baluster shaped earthenware cane handle, painted in blue with scrolling foli...
Still Life with a Chinese Bowl, Nautilus Cup and Other Objects
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Willem Kalf settled in Amsterdam in 1653 following his return from Paris in 1646 and a period in Rotterdam and Hoorn in 1651, having married in the latter city. The three still lif...
Gold watch, engraved and enamelled, inscribed on the movement 'Manufactured by B. Lawley, London, for W.C.Shaw, Glasgow', with casemaker's mark 'JWS' for James Walter Stock, Clerkenwell, the pendant by Robert Bellows, London hallmarks for 1862-3. Gold wat
Gold watch, engraved and enamelled, inscribed on the movement 'Manufactured by B. Lawley, London, for W.C.Shaw, Glasgow', with casemaker's mark 'JWS' for James Walter Stock, Clerkenwell, the pendant by Robert Bellows, London hallmarks for 1862-3. Gold wat
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