Javascript must be enabled to continue!
GREATNESS IN FALL. KAREL VAN MANDER�S APPROACH TO CREATIVE FAILURE
View through CrossRef
The paper examines Karel van Mander�s consistent descriptions of artistic incompetence, technical mediocrity, and creative failure in Het Schilder-Boeck � or The Book of Painting, first published in Alkmaar 1604 � in the attempt to understand the functionality of his remarks � from an aesthetic, ethical, and pedagogical standpoint � as cautionary tales for apprentices and young patrons. It will be argued that, by establishing a sharp distinction between �excellent masters� and �mediocre painters,� Van Mander�s narrative validates the instructional legitimacy of mentioning, along with the careers of noble, successful, and ingenious artists, the disheartening experiences of those painters who, for reasons that Van Mander does not neglect to point out, have missed their original calls and betrayed what the author refers to as their �predestined inclination,� consequently leading a life of despair, misery and deprivation. The essay will explore, in particular, the vocabulary used by Van Mander to describe these cases of creative as well as ethical misconduct in relation to a metaphor recurrently adopted in those pages: the climbing of a mountain and the unforeseeable � and yet essential � explorations within the �labyrinth of painting� (Picturams Labyrinthus).
Arts and sciences appear as two intertwined domains in Karel van Mander�s Schilder-Boeck, or Book of Painting, for they are both based on the same quest of continual investigation in order to provide a better understanding, or a more visually-compelling representation of, Nature.1 It should come as no surprise, therefore, if Van Mander praises the paintings created by the forerunner of the Northern tradition, that is, Jan van Eyck, as �noble inventions� (edel inventie) and compares them, metaphorically, to the astounding, deafening invention of explosive powders by the alchemist called Bartholdus Schwartz.2 According to this analogy, both creators should be described as �quick-thinking spirits� (werckende wacker gheesten).3 Stimulated by their inquisitive spirits, they have created something really good.
Title: GREATNESS IN FALL. KAREL VAN MANDER�S APPROACH TO CREATIVE FAILURE
Description:
The paper examines Karel van Mander�s consistent descriptions of artistic incompetence, technical mediocrity, and creative failure in Het Schilder-Boeck � or The Book of Painting, first published in Alkmaar 1604 � in the attempt to understand the functionality of his remarks � from an aesthetic, ethical, and pedagogical standpoint � as cautionary tales for apprentices and young patrons.
It will be argued that, by establishing a sharp distinction between �excellent masters� and �mediocre painters,� Van Mander�s narrative validates the instructional legitimacy of mentioning, along with the careers of noble, successful, and ingenious artists, the disheartening experiences of those painters who, for reasons that Van Mander does not neglect to point out, have missed their original calls and betrayed what the author refers to as their �predestined inclination,� consequently leading a life of despair, misery and deprivation.
The essay will explore, in particular, the vocabulary used by Van Mander to describe these cases of creative as well as ethical misconduct in relation to a metaphor recurrently adopted in those pages: the climbing of a mountain and the unforeseeable � and yet essential � explorations within the �labyrinth of painting� (Picturams Labyrinthus).
Arts and sciences appear as two intertwined domains in Karel van Mander�s Schilder-Boeck, or Book of Painting, for they are both based on the same quest of continual investigation in order to provide a better understanding, or a more visually-compelling representation of, Nature.
1 It should come as no surprise, therefore, if Van Mander praises the paintings created by the forerunner of the Northern tradition, that is, Jan van Eyck, as �noble inventions� (edel inventie) and compares them, metaphorically, to the astounding, deafening invention of explosive powders by the alchemist called Bartholdus Schwartz.
2 According to this analogy, both creators should be described as �quick-thinking spirits� (werckende wacker gheesten).
3 Stimulated by their inquisitive spirits, they have created something really good.
Related Results
Het Laatste avondmaal, het eerst bekende schilderstuk van Karel van Mander de Jonge
Het Laatste avondmaal, het eerst bekende schilderstuk van Karel van Mander de Jonge
AbstractA large panel of the Last Supper (fig. 1) can now be attributed to Karel van Mander the Younger (Haarlem c. 1583 – Delft 1623), after cleaning by the present owner, Douwes ...
Numéro 85 (nl) - février 2011
Numéro 85 (nl) - février 2011
Op initiatief van de federale overheid heeft het Belgische stelsel van werkloosheidsverze-kering sinds 2004 belangrijke veranderingen ondergaan. Het principe van de toekenning van ...
'de beste Schilders van het gantsche Nederlandt' Karel van Mander en het Haarlemse cultuurbeleid 1603-1606
'de beste Schilders van het gantsche Nederlandt' Karel van Mander en het Haarlemse cultuurbeleid 1603-1606
AbstractKarel van Mander's Schilder-Boeck was published in 1604. During this period the Haarlem city council was pursuing an active cultural policy in which painting played a centr...
De Russische inspiratie van Joris Van Severen. Deel 2
De Russische inspiratie van Joris Van Severen. Deel 2
In de oorlogsdagboeken van Joris Van Severen valt zijn belangstelling op voor bepaalde aspecten van de Russische cultuur, die weinig met elkaar gemeen hebben, met name Dostojevski ...
Impact of the COVID-19 pandemic on surgical care in the Netherlands
Impact of the COVID-19 pandemic on surgical care in the Netherlands
Abstract
Background
The COVID-19 pandemic caused disruption of regular healthcare leading to reduced hospital attendances, repur...
SMOKIN� BEAUTY. ART AND EXPERIMENTATION IN RENAISSANCE WORKSHOPS: KAREL VAN MANDER�S NARRATIVES
SMOKIN� BEAUTY. ART AND EXPERIMENTATION IN RENAISSANCE WORKSHOPS: KAREL VAN MANDER�S NARRATIVES
Along with paintings, drawings, and prints representing workshops and studios in sixteenth- and early seventeenth-century Europe, written sources also provide important information...
Fall Risk Assessment Using Morse Fall Scale and STRATIFY Fall Scale
Fall Risk Assessment Using Morse Fall Scale and STRATIFY Fall Scale
Abstract: The purpose of this study was to identify the value of fall risk assessment using Morse fall scale and STRATIFY fall scale, to identify the sensitivity and specificity of...
KAJIAN KESIAPAN PENERAPAN KONSEP KOTA KREATIF DESAIN DI SURAKARTA
KAJIAN KESIAPAN PENERAPAN KONSEP KOTA KREATIF DESAIN DI SURAKARTA
<p><em>City plays important role making the city owns its high enchantment. This could effect on the emerging of city’s problems, where the city could not accommodate t...

