Javascript must be enabled to continue!
Shore
View through Europeana Collections
Wide shelf stretcher with three caps. Of red thin woolen fabric with a rugged surface (dressed?), decorated with pearl embroidery. The motif is berries with berries of white glass beads, stems of silver-colored metal beads (nickel?) and applied leaves of light brown velvet. Three motifs, one on each cape. (Possibly it should imagine grape bunches that were a popular motif on embroidery in the mid-18th century.)
Nerve embroidered rows in silk with a langette stitch, extremely firm, ribbon in black and beige snare mackerel work. The back of light brown (probably earlier red blue) cotton cloth. At the top the front and back are sewn together with a sewing machine. Dating to after 1860 made on the basis that the sewing machine that had started to be produced in the 1850s became more dispersed at the time.
Nails along the upper edge. Black-colored spots around the metal beads in several places. The back very dirty.
Literature:
Fleming/Lindvall-Nordin m fl, Roses and violets in cross stitch, LT Stockholm 1983, p. 41-42.
Fredlund, Jane, Great book about life sooner, ICA publisher Västerås 1981, p. 98-105.
Rosenknopp and yllestopp, exhibition catalog from the Helsinki Stadsmuseum 1986.
Westerdahl, Elisabeth, Beaded ornaments, from Antik and Auction No. 4 1994.
See also image on piphylla in the Culture 1945 p. 99.
From the Handwritten Catalogue 1957-1958:
Two shelves, pearls, etc.
(a) Dimensions: 56 x 27 cm; red fabric, embroidery of black and white yarn, glass and nickel pearls, etc.
Title: Shore
Description:
Wide shelf stretcher with three caps.
Of red thin woolen fabric with a rugged surface (dressed?), decorated with pearl embroidery.
The motif is berries with berries of white glass beads, stems of silver-colored metal beads (nickel?) and applied leaves of light brown velvet.
Three motifs, one on each cape.
(Possibly it should imagine grape bunches that were a popular motif on embroidery in the mid-18th century.
)
Nerve embroidered rows in silk with a langette stitch, extremely firm, ribbon in black and beige snare mackerel work.
The back of light brown (probably earlier red blue) cotton cloth.
At the top the front and back are sewn together with a sewing machine.
Dating to after 1860 made on the basis that the sewing machine that had started to be produced in the 1850s became more dispersed at the time.
Nails along the upper edge.
Black-colored spots around the metal beads in several places.
The back very dirty.
Literature:
Fleming/Lindvall-Nordin m fl, Roses and violets in cross stitch, LT Stockholm 1983, p.
41-42.
Fredlund, Jane, Great book about life sooner, ICA publisher Västerås 1981, p.
98-105.
Rosenknopp and yllestopp, exhibition catalog from the Helsinki Stadsmuseum 1986.
Westerdahl, Elisabeth, Beaded ornaments, from Antik and Auction No.
4 1994.
See also image on piphylla in the Culture 1945 p.
99.
From the Handwritten Catalogue 1957-1958:
Two shelves, pearls, etc.
(a) Dimensions: 56 x 27 cm; red fabric, embroidery of black and white yarn, glass and nickel pearls, etc.
Related Results
Jane Shore: "Give gentle mistress Shore one gentle kiss the more (Shakespeare, Richard III, Act 3, scene 1)
Jane Shore: "Give gentle mistress Shore one gentle kiss the more (Shakespeare, Richard III, Act 3, scene 1)
Stipple engraving and etching printed in brown ink; third state of four, Shakespeare Illustrated...
A desert tree not far from the Dead sea shore.
A desert tree not far from the Dead sea shore.
Photo shows: A desert tree not far from the Dead sea shore....
Camp on Green Mountain, Mount Desert Island, Maine; verso: Small Landscape and Partial Shore Scene
Camp on Green Mountain, Mount Desert Island, Maine; verso: Small Landscape and Partial Shore Scene
The small landscape on the verso is vertical; the partial shore scene, is horizontal....
South Heavenly Gate of Putuo Mountain
South Heavenly Gate of Putuo Mountain
The hanging scroll frames a horizontally oriented color painting. In the foreground, seen from above, green fields adjoin a sand-colored shoreline along a crescent-shaped bay. Boat...
Four separate portraits: Jane Shore (unfortunate beautiful mistress of Edward IV), Henry Hastings (eccentric chief forester to Charles I), Jedediah Buxton (mental calculator), and Mary Davis (with horns). Etching, 1808.
Four separate portraits: Jane Shore (unfortunate beautiful mistress of Edward IV), Henry Hastings (eccentric chief forester to Charles I), Jedediah Buxton (mental calculator), and Mary Davis (with horns). Etching, 1808.
Lettering: Portraits of four remarkable characters, of whom, accounts are given in Granger's Wonderful museum. Jane Shore. Henry Hastings. Jedediah Buxton. Mary Davis the horned wo...

