Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

The “Elephant Mosaic” Panel from the Huqoq Synagogue: Ehud Ben Gera in Jewish-Galilean Traditions

View through CrossRef
Abstract The so-called Elephant Mosaic panel from the Huqoq synagogue floor has sparked intense scholarly debate regarding its interpretation. This article proposes a biblical episode as its topic: the killing of the Moabite king Eglon by Ehud ben Gera (Judges 3). Reading the panels as a unified composition, the biblical-midrashic interpretation offered here combines biblical elements with their rabbinic interpretations. The importance of the latter inheres in their reflection of the Galilean milieu contemporary with the Huqoq community. The suggested interpretation also shares common motifs with another source, Megillat Antiochus, thus raising the question of whether, as interpreted here, the Byzantine artistic elements shed light on how the Huqoq community portrayed biblical themes and transmitted later traditions, especially those connected to divine deliverance.
Title: The “Elephant Mosaic” Panel from the Huqoq Synagogue: Ehud Ben Gera in Jewish-Galilean Traditions
Description:
Abstract The so-called Elephant Mosaic panel from the Huqoq synagogue floor has sparked intense scholarly debate regarding its interpretation.
This article proposes a biblical episode as its topic: the killing of the Moabite king Eglon by Ehud ben Gera (Judges 3).
Reading the panels as a unified composition, the biblical-midrashic interpretation offered here combines biblical elements with their rabbinic interpretations.
The importance of the latter inheres in their reflection of the Galilean milieu contemporary with the Huqoq community.
The suggested interpretation also shares common motifs with another source, Megillat Antiochus, thus raising the question of whether, as interpreted here, the Byzantine artistic elements shed light on how the Huqoq community portrayed biblical themes and transmitted later traditions, especially those connected to divine deliverance.

Related Results

Samuel and Saul at Gilgal: a new interpretation of the Elephant mosaic panel in the Huqoq synagogue
Samuel and Saul at Gilgal: a new interpretation of the Elephant mosaic panel in the Huqoq synagogue
The mosaic carpets decorating Palestinian synagogues in late antiquity took various forms but tend to focus on three recurring visual themes: the zodiac, a motif with origins in Gr...
The patriarch and the emperor: the Elephant mosaic panel in the Huqoq synagogue reconsidered
The patriarch and the emperor: the Elephant mosaic panel in the Huqoq synagogue reconsidered
The unique iconography of the Elephant mosaic panel in the Huqoq synagogue, considered by project director J. Magness as “the first non-biblical story ever found decorating an anci...
symbolic universe of the Temple
symbolic universe of the Temple
For Jews, the Jerusalem Temple is the historical focus of ritual practice and pilgrimage. After its destruction in 70 ce, synagogues gradually became important centres for communit...
The Ganymede Mosaic of Claudiopolis
The Ganymede Mosaic of Claudiopolis
Claudiopolis (Bolu) was a prominent city in Bithynia during the Ancient Period. The Ganymede mosaic was discovered during a rescue excavation at the city center in 2011. The Ganyme...
Den Judiska Kvinnoklubben (JKK) och de judiska flyktingarna under 1930- och 1940-talen
Den Judiska Kvinnoklubben (JKK) och de judiska flyktingarna under 1930- och 1940-talen
In a Swedish context, Jewish women’s experiences and actions have gone unrecorded and unrecognised; most narratives of Swedish Jewish history offer only...
The Elephant and the Sovereign: India circa 1000ce
The Elephant and the Sovereign: India circa 1000ce
AbstractThis article studies the political and symbolic importance of elephants for medieval Muslim kingship in South Asia. Specifically, the incorporation of the elephant by the G...
Leviathan: The Metamorphosis of a Medieval Image
Leviathan: The Metamorphosis of a Medieval Image
Abstract The image of Leviathan held a special fascination for artists who decorated wooden synagogues and illustrated manuscripts from the eighteenth century through the first hal...
On the Implausibility of Identifying the Disciple in John 18:15–16 as a Galilean Fisherman
On the Implausibility of Identifying the Disciple in John 18:15–16 as a Galilean Fisherman
AbstractJohn 18:15–16 mentions an unknown disciple of Jesus who “was known to the high priest” giving him access to the events in Caiaphas’s courtyard. A minority of scholars maint...

Recent Results


Back to Top