Javascript must be enabled to continue!
Mosaic with geometric design: fragment of geometric pattern (three of four fragments from a floor)
View through Harvard Museums
One of four panels from a large, square floor pavement with geometric design and inscription (2016.53.4). The overall geometric design consists of lozenges pieced together at the corners to create smaller squares (the ‘lozenge-star-and-square pattern’) which radiate around a larger, central square (1). The lozenges are delineated by black borders and filled alternately with yellow and orange tesserae. The four small squares contain geometric filling ornaments: two Solomon’s knots and two rainbow patterns. A large square in the center is filled with a four-petalled, white flower on an orange background. A triple border surrounds the central geometric panel and consists of a guilloche (braided ribbon) in shades of orange, black, and white; a crowstep pattern in black; and a plain black band (2).
1. See a description of the motif in Catherine Balmelle. Le décor géométrique de la mosaïque romaine. Vol. 1. (Picard, 1985), 266-67 pl. 176.
2. AIEMA nos.194, 203, 205, Ruth and Asher Ovadiah, Hellenistic, Roman and Early Byzantine Mosaic Pavements in Israel, (L’Erma di Bretschneider, 1987), p. 202, no.B2; crowstep: AIEMA no.162, Ovadiah p. 201, no. A4
Department of Ancient and Byzantine Art & Numismatics
Stadium Building at Samaria/Sebaste excavated; by the Joint Expedition to Samaria (Harvard University Palestine Exploration Fund Hebrew University Jerusalem British Academy the British School of Archaeology in Jerusalem) (1931) dispersed; to Fogg Museum of Art 1931.
NB: Excavated under the authority of the British Department of Antiquities Jerusalem. Transferred to the Fogg Museum of Art in 1931 and accessioned in 2016.
Harvard Art Museums/Arthur M. Sackler Museum Gift of the Joint Expedition to Samaria 1931-1933
Title: Mosaic with geometric design: fragment of geometric pattern (three of four fragments from a floor)
Description:
One of four panels from a large, square floor pavement with geometric design and inscription (2016.
53.
4).
The overall geometric design consists of lozenges pieced together at the corners to create smaller squares (the ‘lozenge-star-and-square pattern’) which radiate around a larger, central square (1).
The lozenges are delineated by black borders and filled alternately with yellow and orange tesserae.
The four small squares contain geometric filling ornaments: two Solomon’s knots and two rainbow patterns.
A large square in the center is filled with a four-petalled, white flower on an orange background.
A triple border surrounds the central geometric panel and consists of a guilloche (braided ribbon) in shades of orange, black, and white; a crowstep pattern in black; and a plain black band (2).
1.
See a description of the motif in Catherine Balmelle.
Le décor géométrique de la mosaïque romaine.
Vol.
1.
(Picard, 1985), 266-67 pl.
176.
2.
AIEMA nos.
194, 203, 205, Ruth and Asher Ovadiah, Hellenistic, Roman and Early Byzantine Mosaic Pavements in Israel, (L’Erma di Bretschneider, 1987), p.
202, no.
B2; crowstep: AIEMA no.
162, Ovadiah p.
201, no.
A4.
Related Results
Mosaic with geometric design: fragment of geometric pattern (one of four fragments from a floor)
Mosaic with geometric design: fragment of geometric pattern (one of four fragments from a floor)
One of four panels from a large, square floor pavement with geometric design and inscription (2016.53.4). The overall geometric design consists of lozenges pieced together at the c...
Mosaic with geometric design: fragment of geometric pattern (two of four fragments from a floor)
Mosaic with geometric design: fragment of geometric pattern (two of four fragments from a floor)
One of four panels from a large, square floor pavement with geometric design and inscription (2016.53.4). The overall geometric design consists of lozenges pieced together at the c...
Breechcloth
Breechcloth
Breechcloth; probably Yanktonai; 1860-1870Wool, porcupine quills, sinew, metal, horsehair, pigments; 117.5 x 28.5 cm.\RMV 710-9; Herman F.C. ten Kate collection; purchased from tra...
Mosaic with geometric design: fragment with inscription (four of four fragments from a floor)
Mosaic with geometric design: fragment with inscription (four of four fragments from a floor)
One of four fragments of a large, square floor pavement with a geometric design (2016.53.2, 2016.53.3, 2016.53.1) and inscription. This black and white mosaic fragment depicts a pa...
Two Fragments of Band with Geometric Pattern
Two Fragments of Band with Geometric Pattern
Two tapestry woven fragments originating from the same textile. Red and dark-dyed wool and undyed linen wefts are woven on undyed linen warps. Both fragments feature the same geome...
Mosaic with Two Figures Seated on a Couch: Bottom Panel of Adonis and Erote (one of four panels from a floor)
Mosaic with Two Figures Seated on a Couch: Bottom Panel of Adonis and Erote (one of four panels from a floor)
This series of four mosaic fragments depicts a man and woman seated together on a couch with a pink canopy raised above their heads. The woman wears a dark purple himation with a g...
Mosaic with Two Figures Seated on a Couch: Side Panel of Bird and Plant Border (one of four panels from a floor)
Mosaic with Two Figures Seated on a Couch: Side Panel of Bird and Plant Border (one of four panels from a floor)
This series of four mosaic fragments depicts a man and woman seated together on a couch with a pink canopy raised above their heads. The woman wears a dark purple himation with a g...
Detail of a mosaic floor from Amphissa
Detail of a mosaic floor from Amphissa
Late Roman mosaic discovered on the floor of the Gerolymatos' house in Amphissa. It depicts some kind of waterfowl, probably a heron or flamingo and it bears an inscription....
Recent Results
‘Art-horror’ and ‘hardcore art-horror’ at the margins: Experimentation and extremity in contemporary independent horror
‘Art-horror’ and ‘hardcore art-horror’ at the margins: Experimentation and extremity in contemporary independent horror
The changing forms of contemporary horror have been the subject of much discussion, both in popular journalism and scholarship. Amid an on-going discussion on the arrival and chara...