Javascript must be enabled to continue!
CULTURAL HERITAGE KALEVALA; RAIJA UOSIKKINEN AND HER ILLUSTRATIONS
View through CrossRef
Throughout history, illustration has been a visual language and communication tool in different countries
and cultures of the world. The illustration technique has played an important role in the transmission of
literary texts, heroic stories, and mythological transmissions.
This article discusses the contribution of artist Raija Uosikkinen as a designer and illustrator for Arabia, one
of the most well-known ceramic factories in Finland, for nearly 40 years. In addition, the article touches
upon the 24 limited edition plate designs produced annually for Finland’s natioanl epic, Kalevala, from 1976
to 1999. In addition, the article examines the artist’s original illustration style and screen printing technique
in creating designs based on poetic stories of both real and prehistoric gods, goddesses and heroes. The
article highlights the quality of plate illustrations in this series, which combine folkloric elements with a
contemporary interpretation of poetic text, as documenting cultural heritage through an epic. Based on this
information, the article describes the designs from 1976 and 1999, featuring Uosikkinen illustrations on the
front and a part of the Kalevala epic in Finnish, Swedish and English on the back.
Title: CULTURAL HERITAGE KALEVALA; RAIJA UOSIKKINEN AND HER ILLUSTRATIONS
Description:
Throughout history, illustration has been a visual language and communication tool in different countries
and cultures of the world.
The illustration technique has played an important role in the transmission of
literary texts, heroic stories, and mythological transmissions.
This article discusses the contribution of artist Raija Uosikkinen as a designer and illustrator for Arabia, one
of the most well-known ceramic factories in Finland, for nearly 40 years.
In addition, the article touches
upon the 24 limited edition plate designs produced annually for Finland’s natioanl epic, Kalevala, from 1976
to 1999.
In addition, the article examines the artist’s original illustration style and screen printing technique
in creating designs based on poetic stories of both real and prehistoric gods, goddesses and heroes.
The
article highlights the quality of plate illustrations in this series, which combine folkloric elements with a
contemporary interpretation of poetic text, as documenting cultural heritage through an epic.
Based on this
information, the article describes the designs from 1976 and 1999, featuring Uosikkinen illustrations on the
front and a part of the Kalevala epic in Finnish, Swedish and English on the back.
Related Results
Mindy Calling: Size, Beauty, Race in The Mindy Project
Mindy Calling: Size, Beauty, Race in The Mindy Project
When characters in the Fox Television sitcom The Mindy Project call Mindy Lahiri fat, Mindy sees it as a case of misidentification. She reminds the character that she is a “petite ...
E-Press and Oppress
E-Press and Oppress
From elephants to ABBA fans, silicon to hormone, the following discussion uses a new research method to look at printed text, motion pictures and a te...
Like Lady Godiva
Like Lady Godiva
Introducing Lady Godiva through a Fan-Historical Lens
The legend of Lady Godiva, who famously rode naked through the streets of Coventry, veiled only by her long, flowing hair, has...
Born To Die: Lana Del Rey, Beauty Queen or Gothic Princess?
Born To Die: Lana Del Rey, Beauty Queen or Gothic Princess?
Closer examination of contemporary art forms including music videos in addition to the Gothic’s literature legacy is essential, “as it is virtually impossible to ignore the relatio...
Power in Silence: Captions, Deafness, and the Final Girl
Power in Silence: Captions, Deafness, and the Final Girl
IntroductionThe horror film Hush (2016) has attracted attention since its release due to the uniqueness of its central character—a deaf–mute author who lives in a world of silence....
A quantitative description of the spatial–temporal distribution and evolution pattern of world cultural heritage
A quantitative description of the spatial–temporal distribution and evolution pattern of world cultural heritage
Abstract
Depicting the temporal and spatial evolution pattern of global world cultural heritage systematically and finely is the basis of heritage recognition and protect...
A quantitative description of the spatial-temporal distribution and evolution pattern of world cultural heritage
A quantitative description of the spatial-temporal distribution and evolution pattern of world cultural heritage
Abstract
Depicting the temporal and spatial evolution pattern of global world cultural heritage systematically and finely is the basis of heritage recognition and protectio...
Phillis Wheatley Peters
Phillis Wheatley Peters
The person now known as Phillis Wheatley Peters, or as simply Phillis Wheatley, was born around 1753 in West Africa, most likely south of the Senegambia area. In 1761 the slave shi...


