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Tocharian A ārkiśoṣi ‘world with radiance’ and Chinese suo po shi jie ‘world of sabhā’

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This article provides an explanation for the single and puzzling Tocharian B gloss śaiṣṣe ‘world’ (instead of Tocharian A ārkiśoṣi) for Sanskrit jagat- ‘world’ on a Sanskrit fragment SHT 4438 with all the other glosses in Tocharian A. Based on a detailed study of the Sanskrit and Chinese texts, Tocharian A ārkiśoṣi is very likely the loan translation of Sanskrit sā̆bhāloka(dhātu)- ‘a world with radiance’, which is preserved in the Chinese translations by Kumārajīva and other translators connected with Kucha. In the Kucha area, the first part sā̆bhā- was understood as containing -(ā)bhā- ‘radiance’. Buddhist Sanskrit sa(b)hāloka(dhātu)- is built from sa(b)hāpati- ‘master of sa(b)hā world’, epithet of the highest divinity Brahmā in the sahāloka-, which derives via Middle Indic from the older epithet sabhāpati- ‘owner of the assembly hall’ in Atharvaveda. The excursus at the end offers a glimpse into the complicated transmission process of Chinese Buddhist terminology based on the analysis of Chinese sha men ‘monk’ and he shang ‘teacher, monk’.
Department of AAV and Hemispheres, Institute of Mediterranean and Oriental Cultures, PAS
Title: Tocharian A ārkiśoṣi ‘world with radiance’ and Chinese suo po shi jie ‘world of sabhā’
Description:
This article provides an explanation for the single and puzzling Tocharian B gloss śaiṣṣe ‘world’ (instead of Tocharian A ārkiśoṣi) for Sanskrit jagat- ‘world’ on a Sanskrit fragment SHT 4438 with all the other glosses in Tocharian A.
Based on a detailed study of the Sanskrit and Chinese texts, Tocharian A ārkiśoṣi is very likely the loan translation of Sanskrit sā̆bhāloka(dhātu)- ‘a world with radiance’, which is preserved in the Chinese translations by Kumārajīva and other translators connected with Kucha.
In the Kucha area, the first part sā̆bhā- was understood as containing -(ā)bhā- ‘radiance’.
Buddhist Sanskrit sa(b)hāloka(dhātu)- is built from sa(b)hāpati- ‘master of sa(b)hā world’, epithet of the highest divinity Brahmā in the sahāloka-, which derives via Middle Indic from the older epithet sabhāpati- ‘owner of the assembly hall’ in Atharvaveda.
The excursus at the end offers a glimpse into the complicated transmission process of Chinese Buddhist terminology based on the analysis of Chinese sha men ‘monk’ and he shang ‘teacher, monk’.

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