Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

The Hercules Myth—beginnings and ends

View through CrossRef
The simple, good-hearted strong man is a character perennially popular, and at times has become almost a national ideal. We sophisticates of today do not so obviously deify our expression of the desirable qualities as did our forefathers; but we can at least appreciate the mixture of endearment and reverence with which the heroic demigod who appears as the Herakles or Hercules of classical myth was regarded. The combination of the rather likable human failings of an enormous appetite and a naif boastfulness with the godlike gifts of superhuman strength and fortitude in adversity produced an eminently credible deity, someone to whom alike the timorous maiden might pray for protection, the bluff soldier for understanding support in a punitive raid—in fact a combined apotheosis of Tarzan and of Bulldog Drummond. Such is the Hercules we see in the classical pantheon, Hercules at the height of his glory. But, as Mr De la Mare has said, it is the edges of things that are the most interesting. What of the edges of the Hercules myth? Where and when did it first crystallize out from the cloudy mixture of primitive man’s thoughts, and what forms did it take after Christianity had driven away the old gods to a holeand-comer existence in folklore and old wives’ tales ?
Cambridge University Press (CUP)
Title: The Hercules Myth—beginnings and ends
Description:
The simple, good-hearted strong man is a character perennially popular, and at times has become almost a national ideal.
We sophisticates of today do not so obviously deify our expression of the desirable qualities as did our forefathers; but we can at least appreciate the mixture of endearment and reverence with which the heroic demigod who appears as the Herakles or Hercules of classical myth was regarded.
The combination of the rather likable human failings of an enormous appetite and a naif boastfulness with the godlike gifts of superhuman strength and fortitude in adversity produced an eminently credible deity, someone to whom alike the timorous maiden might pray for protection, the bluff soldier for understanding support in a punitive raid—in fact a combined apotheosis of Tarzan and of Bulldog Drummond.
Such is the Hercules we see in the classical pantheon, Hercules at the height of his glory.
But, as Mr De la Mare has said, it is the edges of things that are the most interesting.
What of the edges of the Hercules myth? Where and when did it first crystallize out from the cloudy mixture of primitive man’s thoughts, and what forms did it take after Christianity had driven away the old gods to a holeand-comer existence in folklore and old wives’ tales ?.

Related Results

Hercules belegerd door de Pygmeeën, schilderijen van Jan van Scorel en Frans Floris naar een Icon van Philostratus
Hercules belegerd door de Pygmeeën, schilderijen van Jan van Scorel en Frans Floris naar een Icon van Philostratus
AbstractA lost painting by Jan van Scorel (1495-1562), Hercules besieged by the Pygmies, is reconstructed with the aid of epigrams by the brothers Nicolaus Grudius Nicolai ( 1504-7...
Reception
Reception
With Killing Hercules, Richard Rowland has produced a wide-ranging trans-historical discussion of re-workings of the relationship between the mythical Hercules and Deinaira, from S...
HERCULES AND THE STONE TREE: AENEID 8.233–40
HERCULES AND THE STONE TREE: AENEID 8.233–40
In ancient literature and religion, Hercules—in common with many other deities—is frequently associated with particular trees or types of tree. There are tales connecting him with ...
Icônes récrites. Georges Schehadé / Lorand Gaspar
Icônes récrites. Georges Schehadé / Lorand Gaspar
Rewritten Icons. Georges Schehadé/Lorand Gaspar For Ricoeur, literature is the destiny of writing separated from myth. Icons, which are, in Greek or Russian, not painted but ...
What Do Service Providers’ Understand About Cross-Cultural Differences In The ‘Stranger Danger’ Myth?
What Do Service Providers’ Understand About Cross-Cultural Differences In The ‘Stranger Danger’ Myth?
The paucity of research on cross-cultural diversity in the psychosocial experience of child sexual abuse can affirm biases toward universality. However, belief of the myth that mos...
Hercules and Albrecht Dürer’s Das Meerwunder in a Chantbook from Renaissance Spain *
Hercules and Albrecht Dürer’s Das Meerwunder in a Chantbook from Renaissance Spain *
Abstract This article centers on two images from the life of Hercules and a border painting modeled after Albrecht Dürer’s en...
HERCVLIS RITV: CAESAR AS HERCULES IN CICERO'SPRO MARCELLO
HERCVLIS RITV: CAESAR AS HERCULES IN CICERO'SPRO MARCELLO
Cicero's praise of Caesar in thePro Marcelloof September 46b.c.e.has been much discussed for its sincerity or otherwise. Here I would like to point out some unobserved literary col...
A message from beyond the grave: Hercules rescuing Hesione on a Stojnik funerary monument
A message from beyond the grave: Hercules rescuing Hesione on a Stojnik funerary monument
The research of this study is dedicated to a unique iconographical scene in the territory of the Central Balkan Roman provinces, of Hercules rescuing Hesione from a sea-monst...

Back to Top