Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Minnie Cunningham at the Old Bedford

View through CrossRef
Minnie Cunningham (1870–1954) was a British music hall star and actress whose career spanned nearly forty years. Today she is primarily remembered through paintings made of her by the prominent British artist Walter Sickert (1860–1942) in the early 1890s. Despite her popularity, Cunningham has mostly been overlooked in music hall and theatre histories. Instead, the limited information that is available about her today comes to us primarily through art-history scholarship on Sickert. To fill this gap, this paper offers the first scholarly account of Cunningham by drawing together press notices, published interviews, and other artefacts from her long career. This introduction to Cunningham is framed by a discussion of the unevenness of the cultural transactions taking place between these artists – between the ‘higher’ arts practice of modern painting and the perceived ‘lower’ music hall. I consider how this imbalance played out at the time these artists worked and the impact this has had in the preservation (or lack thereof) of their artistic practices.
Cambridge University Press (CUP)
Title: Minnie Cunningham at the Old Bedford
Description:
Minnie Cunningham (1870–1954) was a British music hall star and actress whose career spanned nearly forty years.
Today she is primarily remembered through paintings made of her by the prominent British artist Walter Sickert (1860–1942) in the early 1890s.
Despite her popularity, Cunningham has mostly been overlooked in music hall and theatre histories.
Instead, the limited information that is available about her today comes to us primarily through art-history scholarship on Sickert.
To fill this gap, this paper offers the first scholarly account of Cunningham by drawing together press notices, published interviews, and other artefacts from her long career.
This introduction to Cunningham is framed by a discussion of the unevenness of the cultural transactions taking place between these artists – between the ‘higher’ arts practice of modern painting and the perceived ‘lower’ music hall.
I consider how this imbalance played out at the time these artists worked and the impact this has had in the preservation (or lack thereof) of their artistic practices.

Related Results

Come to Daddy? Claiming Chris Cunningham for British Art Cinema
Come to Daddy? Claiming Chris Cunningham for British Art Cinema
Twenty years after he came to prominence via a series of provocative, ground-breaking music videos, Chris Cunningham remains a troubling, elusive figure within British visual cultu...
A Gum-Tree Exile: Randolph Bedford in Italy
A Gum-Tree Exile: Randolph Bedford in Italy
Randolph Bedford (1868–1941) was an Australian journalist, politician and novelist, a lifelong socialist despite making a small fortune from mining. He was among the ‘brain drain’...
Minnie Maddern Fiske: The Imperfect Ibsenite
Minnie Maddern Fiske: The Imperfect Ibsenite
A great legend has evolved about Minnie Maddern Fiske and her relation to Ibsenian drama, a legend which pictures her as a fearless, dedicated proponent of naturalism in the theatr...
NEW BEDFORD, MASSACHUSETTS, MARCH 6, 1983-MARCH 22, 1984:
NEW BEDFORD, MASSACHUSETTS, MARCH 6, 1983-MARCH 22, 1984:
Following the highly publicized New Bedford rape case, in which a young woman was raped by several men on a pool table in New Bedford, Massachusetts, on March 6, 1983, a segment of...
Art in the bark: Indigenous carved boab trees (Adansonia gregorii) in north-west Australia
Art in the bark: Indigenous carved boab trees (Adansonia gregorii) in north-west Australia
Found only in a restricted area of north-west Australia, the Australian boab (Adansonia gregorii) is recognisable by its massive, bottle-shaped trunk, and is an economically import...
Inheriting the Avant-Garde: Merce Cunningham, Marcel Duchamp, and the “Legacy Plan”
Inheriting the Avant-Garde: Merce Cunningham, Marcel Duchamp, and the “Legacy Plan”
“Repetition is a necessary and justified conduct only in relation to that which cannot be replaced.” —Gilles Deleuze, Difference and Repetition How does one create a dance legacy? ...
London, Queen Elizabeth Hall: Luke Bedford in Portrait
London, Queen Elizabeth Hall: Luke Bedford in Portrait
In my recent review of a Col Legno disc of music by Luke Bedford (born 1978), I described this composer as ‘a major voice’. That disc included the piece Wonderful Two-Headed Nighti...
Rethinking the Urban Landscape
Rethinking the Urban Landscape
Abstract An enduring intellectual and perceptual rift divides the city from the natural world both in scholarship and in the public imagination. In the past three de...

Recent Results


Back to Top