Modern art at the sesqui-centennial exhibition

‘The artwork is no longer the integral part of the exhibition; to curate an exhibition is to curate an experience.’ Bridging the gap between curatorial practices ...

Today’s multi-modal, participatory exhibitions and attractions are bound by a desire to convey information, excite the viewer and create social and narrative experiences. Without d...

This chapter discusses John Philip Sousa's move from Washington to Philadelphia to prove himself as a violinist, arranger, and composer. Following his tours with Nobles, he “decide...

Metis : On the Surface is an exhibition of seven projects that range from installations to large urban restructuring proposals. The exhibition and the projects are by Metis, an ate...

Tremble Tremble was an exhibition curated by Tessa Giblin for the Irish pavilion of the 57th Venice Biennale 2017. The exhibition was a collaboration between Giblin and the Irish a...

Great exhibits are never an accident. Planning effective exhibits is a demanding process that requires the designer to consider many different aspects and navigate numerous pitfall...

Today the Museum of Modern Art is widely recognized for establishing the canon of modern art; yet in its early years, the museum considered modern art part of a still unfolding exp...