Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Nico, Rochereau, Roger & L'African Fiesta - Volume 1 (1962-1963)

View through CrossRef
Nico, Rochereau, Roger & L'African Fiesta - Volume 1 (1962-1963)played a crucial role in developing the careers of Tabu Ley Rochereau and Docteur Nico, and more importantly, the genre of Congolese rhumba music. The extraordinary Congolese musicians Nicolas Kasanda aka “Docteur” Nico (1939-1985), guitarist, together with Tabu Ley Pascal “Rochereau” (1937-2013), singer, songwriter, and bandleader, first worked together under “Le Grande Kallé” Joseph Kabasélé and what has been considered the first truly great Congolese orchestra, l'African Jazz. They are considered among the pioneers of Congolese rumba, a genre that originated during the 1940s and has been enormously influential worldwide. The albumNico, Rochereau, Roger & L'African Fiesta - Volume 1 (1962-1963)also featuring Mwamba Charles “Dechaud” on rhythm guitar and Roger Iziedi on vocals, contains some of their first Vita Label studio singles, recorded after the musicians left l'African Jazz to form L'African Fiesta. Subsequently re-released on SonoDisc, this collection of songs (curated by Iziedi) represented a significant new direction for Congolese rumba as the literal soundtrack for the heady and hopeful years of post-Independence life for much of Sub-Saharan Africa.
Bloomsbury Publishing Inc,
Title: Nico, Rochereau, Roger & L'African Fiesta - Volume 1 (1962-1963)
Description:
Nico, Rochereau, Roger & L'African Fiesta - Volume 1 (1962-1963)played a crucial role in developing the careers of Tabu Ley Rochereau and Docteur Nico, and more importantly, the genre of Congolese rhumba music.
The extraordinary Congolese musicians Nicolas Kasanda aka “Docteur” Nico (1939-1985), guitarist, together with Tabu Ley Pascal “Rochereau” (1937-2013), singer, songwriter, and bandleader, first worked together under “Le Grande Kallé” Joseph Kabasélé and what has been considered the first truly great Congolese orchestra, l'African Jazz.
They are considered among the pioneers of Congolese rumba, a genre that originated during the 1940s and has been enormously influential worldwide.
The albumNico, Rochereau, Roger & L'African Fiesta - Volume 1 (1962-1963)also featuring Mwamba Charles “Dechaud” on rhythm guitar and Roger Iziedi on vocals, contains some of their first Vita Label studio singles, recorded after the musicians left l'African Jazz to form L'African Fiesta.
Subsequently re-released on SonoDisc, this collection of songs (curated by Iziedi) represented a significant new direction for Congolese rumba as the literal soundtrack for the heady and hopeful years of post-Independence life for much of Sub-Saharan Africa.

Related Results

Greenwood Encyclopedia of African American Folklore
Greenwood Encyclopedia of African American Folklore
African American culture draws upon a rich body of traditions from Africa, Latin America, and the South, and folklore is fundamental to the African American heritage. The first wor...
The African American Religious Experience in America
The African American Religious Experience in America
Most who think about African American religion limit themselves to black churches, or perhaps to aspects of Islamic thought and practice. But a close look at the religious landscap...
Emerging Human Rights
Emerging Human Rights
This book, a collaborative effort by Port-Harcourt University, Nigeria, and the University of Denver, deals with important theoretical considerations about human rights in Africa. ...
Charles H. Thompson on Desegregation, Democracy, and Education
Charles H. Thompson on Desegregation, Democracy, and Education
The goals of achieving equal citizenship rights for African Americans and international respect for human rights inspired Charles H. Thompson to focus his attention on ending segre...
African Americans and Popular Culture
African Americans and Popular Culture
The African American influence on popular culture is among the most sweeping and lasting this country has seen. Despite a history of institutionalized racism, black artists, entert...
Plaumann v Commission (Case 25/62), EU:C:1963:17, [1963] ECR 95, 15 July 1963
Plaumann v Commission (Case 25/62), EU:C:1963:17, [1963] ECR 95, 15 July 1963
Essential Cases: EU Law provides a bridge between course textbooks and key case judgments. This case document summarizes the facts and decision in Plaumann v Commission (Case 25/62...
Plaumann v Commission (Case 25/62), ECLI:EU:C:1963:17, [1963] ECR 95, 15 July 1963
Plaumann v Commission (Case 25/62), ECLI:EU:C:1963:17, [1963] ECR 95, 15 July 1963
Essential Cases: EU Law provides a bridge between course textbooks and key case judgments. This case document summarizes the facts and decision in Plaumann v Commission (Case 25/62...
African American Covers of Country Music Before Ray Charles
African American Covers of Country Music Before Ray Charles
Timothy Dodge explores African American interest in and participation in country music dates from the earliest days of the recording industry’s racial segregation of vernacular mus...

Back to Top