Javascript must be enabled to continue!
The Basque poets during the Second Republic: José María Agirre, ‘Xabier Lizardi’, and Esteban Urkiaga, ‘Lauaxeta’, in their artistic context1
View through CrossRef
This article aims to follow the trail of some of the influences in the poetic works of José María Agirre, ‘Lizardi’ (1896–1933), and Esteban Urkiaga, ‘Lauaxeta’ (1905–37), both of whom are clearly connected to Symbolism through Spanish Modernism. They are considered the modernizers of Basque poetry and are the most frequently cited examples as paradigms of the Republican era. To this end, a double perspective will be followed. In the case of Lizardi, his literary affiliations will be addressed, relating him to Juan Ramón Jiménez (1881–1958) and José Ortega y Gasset (1883–1955). In order to approach the work of Lauaxeta, we will suggest a number of similarities to the poetry of Federico García Lorca (1898–1936), and to the music of Jesús Guridi (1886–1961) and his zarzuela, El Caserío (1926). We will also establish links between his work and some Impressionist and Symbolist painters, such as Darío Regoyos (1857–1913), Valentín de Zubiaurre (1879–1963) and Aurelio Arteta (1879–1940).
Title: The Basque poets during the Second Republic: José María Agirre, ‘Xabier Lizardi’, and Esteban Urkiaga, ‘Lauaxeta’, in their artistic context1
Description:
This article aims to follow the trail of some of the influences in the poetic works of José María Agirre, ‘Lizardi’ (1896–1933), and Esteban Urkiaga, ‘Lauaxeta’ (1905–37), both of whom are clearly connected to Symbolism through Spanish Modernism.
They are considered the modernizers of Basque poetry and are the most frequently cited examples as paradigms of the Republican era.
To this end, a double perspective will be followed.
In the case of Lizardi, his literary affiliations will be addressed, relating him to Juan Ramón Jiménez (1881–1958) and José Ortega y Gasset (1883–1955).
In order to approach the work of Lauaxeta, we will suggest a number of similarities to the poetry of Federico García Lorca (1898–1936), and to the music of Jesús Guridi (1886–1961) and his zarzuela, El Caserío (1926).
We will also establish links between his work and some Impressionist and Symbolist painters, such as Darío Regoyos (1857–1913), Valentín de Zubiaurre (1879–1963) and Aurelio Arteta (1879–1940).
Related Results
African Annals of Medicine reviewers in 2024
African Annals of Medicine reviewers in 2024
Le comité éditorial des Annales Africaines de Médecine tient à remercier les lecteurs qui ont analysé les manuscrits soumis pour publication au cours de l’année 2024 et ont ainsi d...
Standard Basque
Standard Basque
The first modern pedagogically oriented reference to the grammar of standard Basque (Euskara Batua), in two volumes: Part 1 presents detailed grammar lessons, Part 2 glosses and su...
Word Concreteness and Word Originality
Word Concreteness and Word Originality
Basque is the oldest known spoken language of Western Europe that is not descended from Indo-European. Despite efforts to stop its use from external influences, the Basque people h...
Reseach: Caprice Basque, P. Sarasate
Reseach: Caprice Basque, P. Sarasate
Name: Mikel Ibañez Santervas
Main subject: Violin
Main Subject teacher: Peter Brunt
Research supervisor: Herman Jeurissen.
Title of the research: Caprice Basque op.24 by Pablo ...
Država kao naručitelj – narudžbe i otkupi likovnih djela za interijere javnih ustanova u Hrvatskoj od početka 1950-ih do kraja 1960-ih
Država kao naručitelj – narudžbe i otkupi likovnih djela za interijere javnih ustanova u Hrvatskoj od početka 1950-ih do kraja 1960-ih
This doctoral thesis focuses on the relationship between the state and art based on the commission and acquisition of artwork for the interior spaces of public institutions in the ...
Face to Face
Face to Face
I draw on my experience of painting portraits to reflect on the Basque diaspora today. Whilst living in different countries, I have painted Basque individuals that I have met throu...
Umjetničko djelo Brede Beban u kontekstu feminističke i postkolonijalne teorije
Umjetničko djelo Brede Beban u kontekstu feminističke i postkolonijalne teorije
I find the key reason in studying this artistic oeuvre in the fact that Breda Beban’s overall oeuvre is less known to the Croatian expert public, and that she has mostly been viewe...
Basque Radical Rock
Basque Radical Rock
This paper aims to chart the origins of the so-called Basque Radical Rock movement
and its varied use by different social groups, from political organizations of the t...

