Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

YCC: a gendered carnival? Project work at Volvo Cars

View through CrossRef
PurposeTo discusss the first concept car development project in the automotive industry managed by female engineers and designers.Design/methodology/approachAn abiding concern in feminist discourses is to understand how and why women are excluded from certain positions and activities and how organizations become gendered. Drawing on the Russian literature theorist Mikhail Bakhtin, exceptional events such as concept car development projects in the automotive industry may be examined as a form of carnival wherein the predominant social order is overturned for a period of time and thereafter restored.FindingsExploring the “all female” project at Volvo Cars as a carnival event captures the double nature of such “affirmative” activities; on the one hand, they are giving space to marginal groups, while, on the other hand, being events that differ from the everyday work life order, they therefore risk being marginal activities with limited sustaining impact.Originality/valueIn theoretical terms, the paper has integrated feminist theory and Bakhtin's writing on the carnival as an institutionalized way to mediate conflict and discontent.
Title: YCC: a gendered carnival? Project work at Volvo Cars
Description:
PurposeTo discusss the first concept car development project in the automotive industry managed by female engineers and designers.
Design/methodology/approachAn abiding concern in feminist discourses is to understand how and why women are excluded from certain positions and activities and how organizations become gendered.
Drawing on the Russian literature theorist Mikhail Bakhtin, exceptional events such as concept car development projects in the automotive industry may be examined as a form of carnival wherein the predominant social order is overturned for a period of time and thereafter restored.
FindingsExploring the “all female” project at Volvo Cars as a carnival event captures the double nature of such “affirmative” activities; on the one hand, they are giving space to marginal groups, while, on the other hand, being events that differ from the everyday work life order, they therefore risk being marginal activities with limited sustaining impact.
Originality/valueIn theoretical terms, the paper has integrated feminist theory and Bakhtin's writing on the carnival as an institutionalized way to mediate conflict and discontent.

Related Results

Making Mas: TruDynasty Carnival Takes Josephine Baker to the Caribbean Carnival
Making Mas: TruDynasty Carnival Takes Josephine Baker to the Caribbean Carnival
Over a million spectators descend on Lakeshore Avenue each year to watch Mas Bands create a kinaesthetic landscape of colour with elaborate costumes as they parade in Toronto's Sco...
Women and Carnival Space
Women and Carnival Space
This article focuses on gender relations through the performance of carnival rites in a North Aegean island rural community. Based on qualitative research, it approaches the women’...
Celebrating Her First Half-Century: Queensland's Jubilee Carnival
Celebrating Her First Half-Century: Queensland's Jubilee Carnival
Queensland's Jubilee Carnival of 1909 was, according to Australia's Governor-General, Lord Dudley, ‘the principal and most prominent feature in the series of festivities by which t...
THE CHALLENGES OF ARCHIVING AND RESEARCHING CARNIVAL ART
THE CHALLENGES OF ARCHIVING AND RESEARCHING CARNIVAL ART
The fact that live performance is unrepeatable is both its greatest attribute and a constant worry to theatre historians. How is it possible to study an art form that is fleeting, ...
Meaningful-Experience Creation and Event Management: A Post-Event Analysis of Copenhagen Carnival 2009
Meaningful-Experience Creation and Event Management: A Post-Event Analysis of Copenhagen Carnival 2009
A carnival is a cultural event within the experience economy, and can be considered an activity of added value to a city when creating place-awareness for tourists and residents. ’...
The Aesthetics of Play in Reunified Germany’s Carnival
The Aesthetics of Play in Reunified Germany’s Carnival
Abstract On 11 November, two days after the fall of the Berlin Wall, carnival enthusiasts in Chemnitz celebrated by dressing in nightgowns and running through the st...
The Effervescent Carnival: Performance, Context, and Mediation at Notting Hill
The Effervescent Carnival: Performance, Context, and Mediation at Notting Hill
The Notting Hill Carnival is now Europe's largest street festival, celebrating the music and popular arts of a variety of cultures. Not so long ago, the event – which sometimes cul...
Time and the making and remaking of the feminine gendered subject in Stephenie Meyer’s Twilight saga
Time and the making and remaking of the feminine gendered subject in Stephenie Meyer’s Twilight saga
Philosophy has a long tradition of speculating on the complexities of time and its impacts on individuals and a number of theorists have identified the critical role of temporality...

Recent Results

Ibsen and Darwin: A Reading of The Wild Duck
Ibsen and Darwin: A Reading of The Wild Duck
The question of the possible influence of Darwin’s scientific ideas on Ibsen’s plays, on The Wild Duck in particular, has been addressed more than once in Ibsen scholarship, and ye...
Das Ungeschehene
Das Ungeschehene
Abstract This paper aims to explicate what Heidegger means by das Ungeschehene (the un-happened), revealing the significance of this concept in providing us with a novel way of und...
The painting of the French revolution
The painting of the French revolution
Milton Wolf Brown, Art and the revolution, 1938, Critics group...

Back to Top