Javascript must be enabled to continue!
Celebrating Her First Half-Century: Queensland's Jubilee Carnival
View through CrossRef
Queensland's Jubilee Carnival of 1909 was, according to Australia's Governor-General, Lord Dudley, ‘the principal and most prominent feature in the series of festivities by which the people of Queensland are seeking to celebrate the jubilee of their existence’. Indeed, with the exception of the Carnival, the ‘series of festivities’ was rather lack-lustre, offering relatively little of substance to excite the attention of contemporaries or of later commentators. Offering a distraction from the political instability of the era – between 1907 and 1909, voters had gone to the state polls three times – the Jubilee Carnival reaffirmed and reinvigorated a story that had been told and retold each year at Brisbane's showgrounds for more than three decades. The particular power of the Carnival did not, therefore, derive from its status as a unique event that commemorated a defining moment in Queensland's development: the separation from New South Wales and the beginning of self-government in 1859. Instead, the significance of the Jubilee Carnival as the centrepiece of the 1909 celebrations depended on its effective alignment with Queensland's largest annual event, the Brisbane Exhibition, and on the resulting connections between the Carnival, the Exhibition and a narrative of successful colonisation that had been celebrated each year since the inaugural Brisbane Exhibition of 1876. For many non-Indigenous Queenslanders, it was a compelling story that resolutely ignored the unsavoury aspects of the state's past and present in favour of an uplifting account of a society in which perseverance, applied to nature's bounty in the interests of the British Empire, was rewarded. It was, above all, a story of progress – that most powerful of talismans for settler societies. The Jubilee Carnival thus reiterated a familiar story; in so doing, it confirmed the iconic status of the capital city's annual agricultural show and positioned the show's host, the National Agricultural and Industrial Association of Queensland (NAIAQ), as one of the state's most important organisations.
Title: Celebrating Her First Half-Century: Queensland's Jubilee Carnival
Description:
Queensland's Jubilee Carnival of 1909 was, according to Australia's Governor-General, Lord Dudley, ‘the principal and most prominent feature in the series of festivities by which the people of Queensland are seeking to celebrate the jubilee of their existence’.
Indeed, with the exception of the Carnival, the ‘series of festivities’ was rather lack-lustre, offering relatively little of substance to excite the attention of contemporaries or of later commentators.
Offering a distraction from the political instability of the era – between 1907 and 1909, voters had gone to the state polls three times – the Jubilee Carnival reaffirmed and reinvigorated a story that had been told and retold each year at Brisbane's showgrounds for more than three decades.
The particular power of the Carnival did not, therefore, derive from its status as a unique event that commemorated a defining moment in Queensland's development: the separation from New South Wales and the beginning of self-government in 1859.
Instead, the significance of the Jubilee Carnival as the centrepiece of the 1909 celebrations depended on its effective alignment with Queensland's largest annual event, the Brisbane Exhibition, and on the resulting connections between the Carnival, the Exhibition and a narrative of successful colonisation that had been celebrated each year since the inaugural Brisbane Exhibition of 1876.
For many non-Indigenous Queenslanders, it was a compelling story that resolutely ignored the unsavoury aspects of the state's past and present in favour of an uplifting account of a society in which perseverance, applied to nature's bounty in the interests of the British Empire, was rewarded.
It was, above all, a story of progress – that most powerful of talismans for settler societies.
The Jubilee Carnival thus reiterated a familiar story; in so doing, it confirmed the iconic status of the capital city's annual agricultural show and positioned the show's host, the National Agricultural and Industrial Association of Queensland (NAIAQ), as one of the state's most important organisations.
Related Results
Queensland making a splash: Memorial pools and the body politics of reconstruction
Queensland making a splash: Memorial pools and the body politics of reconstruction
AbstractIn April 2015,The Poolemerged as the winning proposal for Australia's exhibition at the 2016 Venice Architecture Biennale.1Creative directors Aileen Sage and Michelle Tabet...
‘The Mighty Byronian Olympus’: Queensland, the Romantic Sublime and Archibald Meston
‘The Mighty Byronian Olympus’: Queensland, the Romantic Sublime and Archibald Meston
Archibald Meston (b. 1851) is remembered as the framer in Queensland of the 1897 Aboriginal Protection Act, legislation which he later helped to implement as Southern Protector. Fr...
Making Mas: TruDynasty Carnival Takes Josephine Baker to the Caribbean Carnival
Making Mas: TruDynasty Carnival Takes Josephine Baker to the Caribbean Carnival
Over a million spectators descend on Lakeshore Avenue each year to watch Mas Bands create a kinaesthetic landscape of colour with elaborate costumes as they parade in Toronto's Sco...
Women and Carnival Space
Women and Carnival Space
This article focuses on gender relations through the performance of carnival rites in a North Aegean island rural community. Based on qualitative research, it approaches the women’...
The Effervescent Carnival: Performance, Context, and Mediation at Notting Hill
The Effervescent Carnival: Performance, Context, and Mediation at Notting Hill
The Notting Hill Carnival is now Europe's largest street festival, celebrating the music and popular arts of a variety of cultures. Not so long ago, the event – which sometimes cul...
Depictions of Mulan with Her Family and with Her Horse in Chinese Prints
Depictions of Mulan with Her Family and with Her Horse in Chinese Prints
The legend of Mulan is well-known. She was the daughter who took her father’s place in the army, and after years of service, her martial colleagues were amazed to discover that the...
THE CHALLENGES OF ARCHIVING AND RESEARCHING CARNIVAL ART
THE CHALLENGES OF ARCHIVING AND RESEARCHING CARNIVAL ART
The fact that live performance is unrepeatable is both its greatest attribute and a constant worry to theatre historians. How is it possible to study an art form that is fleeting, ...
This Very Old Fair Lady: the Last Years of Mrs. Patrick Campbell
This Very Old Fair Lady: the Last Years of Mrs. Patrick Campbell
Mrs. Patrick Campbell had captivated New York, in her distinctively grand manner, well before Bernard Shaw wrote the part of Eliza for her in Pygmalion, and immortalized her reputa...