Javascript must be enabled to continue!
Symbolism and theatre of masques: The deathly carnival of la belle epoque
View through Europeana Collections
Symbolism and theatre of masques: The deathly carnival of la belle epoque
National Library of Serbia
Title: Symbolism and theatre of masques: The deathly carnival of la belle epoque
Description:
Symbolism and theatre of masques: The deathly carnival of la belle epoque.
Related Results
Post-Political Theatre versus the Theatre of Political Struggle
Post-Political Theatre versus the Theatre of Political Struggle
In this article Bérénice Hamidi-Kim tests the hypothesis that two conflicting interpretations of the notion of ‘political theatre’ exist on the French stage today. She suggests tha...
Theatre Practice, Theatre Studies, and ‘New Theatre Quarterly’
Theatre Practice, Theatre Studies, and ‘New Theatre Quarterly’
The original series of Theatre Quarterly ran for ten years and forty issues, from 1971 to 1981. The relaunched journal intends to continue the best traditions of the old, while ref...
Public Theatre, Community Theatre, and Collaboration: Two Case Studies
Public Theatre, Community Theatre, and Collaboration: Two Case Studies
In 1986 professional theatre practitioners working in two underprivileged neighbourhoods in greater Tel Aviv in Israel created in collaboration with the local residents two large-s...
Making Mas: TruDynasty Carnival Takes Josephine Baker to the Caribbean Carnival
Making Mas: TruDynasty Carnival Takes Josephine Baker to the Caribbean Carnival
Over a million spectators descend on Lakeshore Avenue each year to watch Mas Bands create a kinaesthetic landscape of colour with elaborate costumes as they parade in Toronto's Sco...
THE CHALLENGES OF ARCHIVING AND RESEARCHING CARNIVAL ART
THE CHALLENGES OF ARCHIVING AND RESEARCHING CARNIVAL ART
The fact that live performance is unrepeatable is both its greatest attribute and a constant worry to theatre historians. How is it possible to study an art form that is fleeting, ...
Tell Me When It Hurts: the ‘Theatre of Cruelty’ Season, Thirty Years On
Tell Me When It Hurts: the ‘Theatre of Cruelty’ Season, Thirty Years On
The piece which follows was written in 1964 after seeing the Theatre of Cruelty season, directed by Peter Brook and Charles Marowitz at the then recently opened LAMDA Theatre in We...
Women and Carnival Space
Women and Carnival Space
This article focuses on gender relations through the performance of carnival rites in a North Aegean island rural community. Based on qualitative research, it approaches the women’...
Celebrating Her First Half-Century: Queensland's Jubilee Carnival
Celebrating Her First Half-Century: Queensland's Jubilee Carnival
Queensland's Jubilee Carnival of 1909 was, according to Australia's Governor-General, Lord Dudley, ‘the principal and most prominent feature in the series of festivities by which t...