Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

William Morris and the Judgment of God

View through CrossRef
William Morris once said to a friend, “if there is a God, He never meant us to know much about Himself, or indeed to concern ourselves about Him at all.” The remark indicates a relationship that several of Morris' early stories and poems have to each other. In “Lindenborg Pool,” the protagonist seeks, but does not receive, a sign from God; in “The Hollow Land,” two medieval knights who thought they did have signs from God finally realize that they have only taken their own judgments for His; and even “The Judgment of God,” in spite of its title, argues that men should not attempt to ascertain God's judgment. Morris' Guenevere, in her “Defence,” does not defend herself against the charge of adultery but against Gauwaine's claim that his judgment is the same as God's. On the other hand, when Guenevere (in the poem “King Arthur's Tomb”) follows Morris' advice, when she does not concern herself about God or His judgment, she discovers the truth about her guilt, that while she may not have sinned against God (as Gauwaine said she had), she has certainly sinned against a man, against Arthur, her husband.
Title: William Morris and the Judgment of God
Description:
William Morris once said to a friend, “if there is a God, He never meant us to know much about Himself, or indeed to concern ourselves about Him at all.
” The remark indicates a relationship that several of Morris' early stories and poems have to each other.
In “Lindenborg Pool,” the protagonist seeks, but does not receive, a sign from God; in “The Hollow Land,” two medieval knights who thought they did have signs from God finally realize that they have only taken their own judgments for His; and even “The Judgment of God,” in spite of its title, argues that men should not attempt to ascertain God's judgment.
Morris' Guenevere, in her “Defence,” does not defend herself against the charge of adultery but against Gauwaine's claim that his judgment is the same as God's.
On the other hand, when Guenevere (in the poem “King Arthur's Tomb”) follows Morris' advice, when she does not concern herself about God or His judgment, she discovers the truth about her guilt, that while she may not have sinned against God (as Gauwaine said she had), she has certainly sinned against a man, against Arthur, her husband.

Related Results

The Analysis of the Relationship between God, Religion and Politics in Thomas Hobbes’s Leviathan and De Cive
The Analysis of the Relationship between God, Religion and Politics in Thomas Hobbes’s Leviathan and De Cive
Thomas Hobbes (1588-1679) was a significant political theorist who could be regarded as the founder of social contract theories. Hobbes’s philosophy is worthy of attention in the h...
Encountering Evil: The Evil-god Challenge from Religious Experience
Encountering Evil: The Evil-god Challenge from Religious Experience
It is often thought that religious experiences provide support for the cumulative case for the existence of the God of classical monotheism. In this paper, I formulate an Evil-god ...
William Morris, News from Nowhere, and the Hammersmith Bridge: Visual Encounters
William Morris, News from Nowhere, and the Hammersmith Bridge: Visual Encounters
Abstract This article discusses a central symbol in William Morris’ News from Nowhere (1890): that of the ‘bridge’. I argue that Morris’ use of the Hammersmith Suspe...
REAPPRAISINGNEWS FROM NOWHERE: WILLIAM MORRIS, J. S. MILL ANDFABIAN ESSAYS
REAPPRAISINGNEWS FROM NOWHERE: WILLIAM MORRIS, J. S. MILL ANDFABIAN ESSAYS
This article examinesNews from Nowhere, William Morris's late nineteenth-century utopian romance. It seeks, first, to establish John Stuart Mill as a crucial influence on the text....
Making Traditions: Girls’ Carnival Morris Dancing and Material Practice
Making Traditions: Girls’ Carnival Morris Dancing and Material Practice
Girls’ carnival morris dancing holds a curious status in the canon of English folk performance. On the one hand, this highly competitive team-formation dance operates at a fundamen...
Divine Poiesis and Abstract Entities
Divine Poiesis and Abstract Entities
According to Anselm, God is understood as a being than which nothing greater can be conceived. God is the greatest possible being. In this tradition, which has come to be spoken of...
Hobbes's "Mortal God" and Renaissance Hermeticism
Hobbes's "Mortal God" and Renaissance Hermeticism
AbstractResearch made by Schuhmann and Bredekamp has pointed up the unsuspected links between Hobbes and one of the ancient traditions best loved by Renaissance philosophy: Hermeti...

Back to Top