Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

The Music of Berlioz

View through CrossRef
Abstract The Music of Berlioz offers an overall assessment of Berlioz's musical achievement as we approach the bicentary of his birth in 2003. This is the first full-length musical study of the composer to take into account the rediscovered Messe solennelle, and discusses all aspects of his work, without undue emphasis on a few more popular pieces. The first section consists of a comprehensive biography of his musical works, tracing shifting patterns of productivity, approaches to genre, and the contrast between works which are aesthetically progressive or retrospective. The second section considers aspects of Berlioz's musical style, building upon earlier studies by the author and other recent scholarship; topics include Berlioz's practice of self-borrowing, his use of programmes and texts, characteristic rhetorical devices, and an emotional language. The third section takes four categories of works - song-forms, sacred music, symphonic works, and dramatic works - for more substantial analysis of selected passages and an overall critical assessment.
Oxford University PressOxford
Title: The Music of Berlioz
Description:
Abstract The Music of Berlioz offers an overall assessment of Berlioz's musical achievement as we approach the bicentary of his birth in 2003.
This is the first full-length musical study of the composer to take into account the rediscovered Messe solennelle, and discusses all aspects of his work, without undue emphasis on a few more popular pieces.
The first section consists of a comprehensive biography of his musical works, tracing shifting patterns of productivity, approaches to genre, and the contrast between works which are aesthetically progressive or retrospective.
The second section considers aspects of Berlioz's musical style, building upon earlier studies by the author and other recent scholarship; topics include Berlioz's practice of self-borrowing, his use of programmes and texts, characteristic rhetorical devices, and an emotional language.
The third section takes four categories of works - song-forms, sacred music, symphonic works, and dramatic works - for more substantial analysis of selected passages and an overall critical assessment.

Related Results

Seeing Voices
Seeing Voices
Abstract We often think of music in terms of sounds intentionally organized into patterns, but music performed in signed languages poses considerable challenges to t...
Theorizing Music Evolution
Theorizing Music Evolution
Abstract Theorizing Music Evolution is a critical examination of ideas about musical origins, emphasizing nineteenth-century theories of music in the evolutionist wr...
David Bowie and the Art of Music Video
David Bowie and the Art of Music Video
The first in-depth study of David Bowie’s music videos across a sustained period takes on interweaving storyworlds of an iconic career. Remarkable for their capacity to conjure ela...
Yogaku
Yogaku
"This book introduces us to the world of contemporary Japanese music and it guides us towards a better understanding of their world."—Luciano Berio Yogakudiscusse...
Defending the Music
Defending the Music
Abstract Defending the Music: Michael Steinberg at the Boston Globe, 1964–1976 gathers approximately 300 of the more than 2,000 reviews, essays, and features writ...
African American Covers of Country Music Before Ray Charles
African American Covers of Country Music Before Ray Charles
Timothy Dodge explores African American interest in and participation in country music dates from the earliest days of the recording industry’s racial segregation of vernacular mus...
Music Therapy Research
Music Therapy Research
Music therapy is an evidence-based profession. Music therapy research aims to provide information about outcomes that support music therapy practice including contributing to theor...
Ethnomusicologizing
Ethnomusicologizing
In Ethnomusicologizing: Essays on Music in the New Paradigms, composer and musicologist brings together a series of essays on music making in contemporary culture. More specificall...

Back to Top