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Title: EVOCATION
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White Dickinson CONFIDENCE IN DAYBREAK MODIFIES DUSK
White Dickinson CONFIDENCE IN DAYBREAK MODIFIES DUSK
Roni Horn's Confidence in Daybreak Modifies Dusk is part of her White Dickinson series. In each of the White Dickinson's a phrase from one of Emily Dickinson's diaries or letters ...
Rao Ram Singh I of Kota, as a Prince, Slays a Rhinoceros from an Elephant
Rao Ram Singh I of Kota, as a Prince, Slays a Rhinoceros from an Elephant
This prepratory drawing, for a wall painting for the Chhatra Mahal in Kotah, features Rao Ram Singh I of Kota (r. 1667-88) as a young prince hunting a rhinocerous while on an eleph...
Faldouet Dolmen
Faldouet Dolmen
View down passage of dolmen in blue intaglio. Artist's note; stripped of its mysteries, this dolmen seems strangely free of spiritual evocation. Blue intaglio, box aqua tint an...
Saint Vincent Panels
Saint Vincent Panels
This is a work of great symbolic importance in Portuguese culture and a unique "collective portrait" in the history of European painting. The six paintings are attributed to Nuno G...
WESTVLAAMS FILMJOURNAAL - 111
WESTVLAAMS FILMJOURNAAL - 111
Report of the 55th Yser Pilgrimage to Diksmuide: the Eucharist, a memorial to Wies Moens and Remi Van Duyn, a tribute to the heroes of the First World War, the evocation of Brussel...
Todi Ragini (painting, recto), from a Ragamala (Garland of Melodies) Series
Todi Ragini (painting, recto), from a Ragamala (Garland of Melodies) Series
The Todi Ragini, sung as an evocation of both tenderness and sadness, is visually represented by a young heroine (nayika) in a forest separated from her lover. In this painting, sh...

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