Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
Jean Cocteau, Pablo Picasso, Léonide Massine et Erik Satie : Parade, 1917, et les avant-gardes
View through CrossRef
Les technologies des différentes révolutions industrielles ont radicalement transformé le monde quotidien et la sensibilité occidentale ; elles ont permis de profonds renouvellements après une période d’usure. À un moment de rupture particulièrement forte, celui de la seconde révolution industrielle, Cocteau, Satie, Picasso, Massine se sont réunis pour former une constellation artistique le temps d’un spectacle remarquable : Parade (1917). Plus spécifiquement, cet article aborde Parade comme un cas particulièrement riche de mutation des sensibilités et de convergence des différentes tendances artistiques et culturelles de fond qui a permis l’émergence esthétique du bruit.
Title: Jean Cocteau, Pablo Picasso, Léonide Massine et Erik Satie : Parade, 1917, et les avant-gardes
Description:
Les technologies des différentes révolutions industrielles ont radicalement transformé le monde quotidien et la sensibilité occidentale ; elles ont permis de profonds renouvellements après une période d’usure.
À un moment de rupture particulièrement forte, celui de la seconde révolution industrielle, Cocteau, Satie, Picasso, Massine se sont réunis pour former une constellation artistique le temps d’un spectacle remarquable : Parade (1917).
Plus spécifiquement, cet article aborde Parade comme un cas particulièrement riche de mutation des sensibilités et de convergence des différentes tendances artistiques et culturelles de fond qui a permis l’émergence esthétique du bruit.
Related Results
Jean Cocteau
Jean Cocteau
Jean Cocteau (b. 1889–d. 1963) was one of French cinema’s greatest and most original directors whose work covered nearly all the major genres, from the early avant-garde to fairy-t...
Truth in Art, and Erik Satie's Judgement
Truth in Art, and Erik Satie's Judgement
AbstractIt is certainly true that Satie, in his later years, did not tire of repeating that there is ‘no Truth in Art’; and in saying so, he was doubtless very much in tune with th...
Liturgy by Leonide Massine and Liturgy by Olga Tsvetkova: In Search of Historical and Cultural Dialogue
Liturgy by Leonide Massine and Liturgy by Olga Tsvetkova: In Search of Historical and Cultural Dialogue
The article is devoted to studying the reasons for the historical and cultural connection between Leonide Massine’s unstaged ballet Liturgy, which was conceived by him together wit...
‘Beautiful, baleful absurdity’: Chinoiserie and Modernist Ballet
‘Beautiful, baleful absurdity’: Chinoiserie and Modernist Ballet
The post-war return of Sergei Diaghilev’s Ballets Russes to London in 1918 was heralded by colourful posters of a ‘Chinaman’ complete with trailing pigtail. This was Picasso’s desi...
Satie, Erik Alfred Leslie (1866–1925)
Satie, Erik Alfred Leslie (1866–1925)
Erik Satie’s compositions, writings, and humor played an important role in many modernist movements of the twentieth century. Experimenting with simple forms, neoclassicism, mystic...
Samba Schools
Samba Schools
Samba schools are musical and recreational associations linked to carnival, created in Rio de Janeiro between 1928 and 1932 approximately. The first competitive samba school parade...
Cocteau, Jean (1889–1963)
Cocteau, Jean (1889–1963)
Jean Cocteau (Jean Maurice Eugène Clément Cocteau) was an influential, prolific, multi-talented French artist, writer, critic and filmmaker. He wrote poetry, plays, libretti for ba...