Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Jacopo Sansovino, Giacomo Torelli, and the Theatricality of the Piazzetta in Venice

View through CrossRef
The architectural forms of Jacopo Sansovino's Libreria di San Marco in Venice, begun in 1537, have generally been interpreted in terms of a revival of the ancient Roman forum. Another way of looking at the building, suggested here, concentrates on its theatrical nature, both in terms of the typology of architectural forms and in terms of use. Sansovino's library completed the Piazzetta in Venice as a theatrical space, and it did so at the same time that the modern theater with boxes was first developed in Venice. The great seventeenth-century scene designer Giacomo Torelli in turn used the space completed by Sansovino as a set for the opera Bellerofonte, produced in Venice in 1642. In Torelli's scene, Venice is shown as a theater of justice.
Title: Jacopo Sansovino, Giacomo Torelli, and the Theatricality of the Piazzetta in Venice
Description:
The architectural forms of Jacopo Sansovino's Libreria di San Marco in Venice, begun in 1537, have generally been interpreted in terms of a revival of the ancient Roman forum.
Another way of looking at the building, suggested here, concentrates on its theatrical nature, both in terms of the typology of architectural forms and in terms of use.
Sansovino's library completed the Piazzetta in Venice as a theatrical space, and it did so at the same time that the modern theater with boxes was first developed in Venice.
The great seventeenth-century scene designer Giacomo Torelli in turn used the space completed by Sansovino as a set for the opera Bellerofonte, produced in Venice in 1642.
In Torelli's scene, Venice is shown as a theater of justice.

Related Results

Giuseppe Torelli and the birth of the Violin Concerto
Giuseppe Torelli and the birth of the Violin Concerto
Giuseppe Torelli (1658-1709), a violinist and composer famous all over Europe during his lifetime, has not received much attention in today's concert programs and academic environm...
Intermediate ways of creating theatricality in artistic discourse
Intermediate ways of creating theatricality in artistic discourse
Th e article addresses the issue of theatricality, especially the way of creating this cultural phenomenon in the dramaturgical text and in the narrative artistic text. Theatricali...
“Dans Venise la Rouge…” by A. de Musset – Ch. Gounod: the “Venetian text” in French chamber vocal music
“Dans Venise la Rouge…” by A. de Musset – Ch. Gounod: the “Venetian text” in French chamber vocal music
Introduction. The attitude to Venice as one of the most poetic and picturesque cities in the world is firmly established in artistic practice. The city appears multifaceted and con...
Venice, An Italian Treasure
Venice, An Italian Treasure
Distributed by Chip Taylor Communications, 2 East View Drive, Derry, NH 03038; 1-800-876-CHIPProduced by Jake and Mieke DeBoerDirected by Giorgio Saturnino2000, VHS, color, 25 min....
The Vodùn ritual sɔ́ gbɔ̌ in Benin: Place of Theatricality and Oral Literary Performance
The Vodùn ritual sɔ́ gbɔ̌ in Benin: Place of Theatricality and Oral Literary Performance
In Benin, periodic rituals are organized to honor the Vodun. An observation of these rituals reveals that, beyond their social and spiritual dimensions, there is also an artistic d...
BIOGRAPHIE ET HISTOIRE. “LA VITA DI ANTONIO GIACOMINI” DE JACOPO NARDI (1476-1563)
BIOGRAPHIE ET HISTOIRE. “LA VITA DI ANTONIO GIACOMINI” DE JACOPO NARDI (1476-1563)
Biography and History. Jacopo Nardi’s La Vita di Antonio Giacomini. Jacopo Nardi’s La Vita di Antonio Giacomini pertains to the history of Renaissance Florence and more broadly to ...

Back to Top