Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Rossellini, Roberto (1906–1977)

View through CrossRef
Roberto Rossellini (Roberto Gastone Zeffiro Rossellini, Rome, May 8, 1906—June 3, 1977) was an Italian film director, screenwriter, and producer. His early work appeared at the height of Fascism—two shorts, now lost, on the subject of nature: Daphne (1936) and Prélude à l’aprés-midi d’un faune (1938). At the beginning of the 1940s he released his first feature films exalting the virtues of World War II combatants: La nave bianca (1941), about a group of Italian sailors on a hospital ship, Un pilota ritorna (1942), about the war between Italy and Greece, and L’uomo dalla croce (1943), about military chaplains on the Russian front. With these three films, which are often referred to as the "Fascist trilogy," Rossellini’s work is considered to be highly controversial for his use of certain fascist ideological themes that he would definitively abandon in the aftermath of the war. This trilogy already crosses Realism and documentary filming with social aesthetics, humanist concerns, and a sharp observation of everyday life. These traits characterized Rossellini’s postwar Neorealism and never completely disappeared from the different phases of his future work.
Title: Rossellini, Roberto (1906–1977)
Description:
Roberto Rossellini (Roberto Gastone Zeffiro Rossellini, Rome, May 8, 1906—June 3, 1977) was an Italian film director, screenwriter, and producer.
His early work appeared at the height of Fascism—two shorts, now lost, on the subject of nature: Daphne (1936) and Prélude à l’aprés-midi d’un faune (1938).
At the beginning of the 1940s he released his first feature films exalting the virtues of World War II combatants: La nave bianca (1941), about a group of Italian sailors on a hospital ship, Un pilota ritorna (1942), about the war between Italy and Greece, and L’uomo dalla croce (1943), about military chaplains on the Russian front.
With these three films, which are often referred to as the "Fascist trilogy," Rossellini’s work is considered to be highly controversial for his use of certain fascist ideological themes that he would definitively abandon in the aftermath of the war.
This trilogy already crosses Realism and documentary filming with social aesthetics, humanist concerns, and a sharp observation of everyday life.
These traits characterized Rossellini’s postwar Neorealism and never completely disappeared from the different phases of his future work.

Related Results

“Liberated” Rome beyond Redemption
“Liberated” Rome beyond Redemption
This chapter analyzes the seminal Italian representation of the gendering of redemption in “Rome,” the third episode of Roberto Rossellini’s Paisà (1946). It reads “Rome” in terms ...
Hollywood, Rossellini et le syndrome de Griffith
Hollywood, Rossellini et le syndrome de Griffith
Les films que Rossellini a tournés dans les années 1950 avec Ingrid Bergman existent tous en plusieurs versions. Il existe notamment trois versions de Stromboli, dont l’une qui fut...
Chapitre XIX. Socrate et Augustin, deux figures de maîtres antiques dans l’Encyclopédie historique de Roberto Rossellini
Chapitre XIX. Socrate et Augustin, deux figures de maîtres antiques dans l’Encyclopédie historique de Roberto Rossellini
Dans L’être, l’homme, le disciple (Paris, PUF, 2000), Francis Wolff inaugure un nouveau concept de la « figure » qui lui permet de sortir du dilemme entre l’inscription historique ...
Italian Neorealism
Italian Neorealism
Italian Neorealism is a filmmaking movement associated with a select group of Italian filmmakers in the latter years of, and the years immediately following, World War II, the most...
Rossellini, Pasolini, Stromboli
Rossellini, Pasolini, Stromboli
At the end of the film Stromboli (1950) by Roberto Rossellini, faced with the island’s hostility and a recent volcanic eruption, the protagonist Karin decides to leave. Initially r...
Cristianismo libertário e redenção em Roberto Rossellini e Pier Paolo Pasolini
Cristianismo libertário e redenção em Roberto Rossellini e Pier Paolo Pasolini
RESUMO Este artigo intenta realizar uma articulação entre a literatura e o cinema através do conceito desenvolvido por Alfredo Bosi no campo literário da resistência como forma de ...

Back to Top