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Victor Vasarely, Colored Tape on Metal Box Manner of Vasarely Collage Painting Kinetic Op Art (20th Century)
Title: Victor Vasarely, Colored Tape on Metal Box Manner of Vasarely Collage Painting Kinetic Op Art (20th Century)
Description:
Metal, Tape, Mixed Media, 24 × 24 in.
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"Here is portrayed three Moods of the Sky and the effects on the Fish and Animals. Sharks and Turtles come to the Surface when it is Raining. Wallabies and Kangaroos are out feedin...
Victor Vasarely, Vasarely Collage (20th Century )
Victor Vasarely, Vasarely Collage (20th Century )
Mixed Media Collage on Cardboard, 8 1/4 × 5 1/2 in...
Box to Keep the Void from "Materials Lab" (book to be sent by artist to be enclosed in box)
Box to Keep the Void from "Materials Lab" (book to be sent by artist to be enclosed in box)
Box 25A, Box to Keep the Void, from "Materials Lab"
Archival materials include:
- 1 installation shot of Box to Keep the Void, 2005....
Victor Vasarely (Tlinko), 1955-61
Victor Vasarely (Tlinko), 1955-61
Victor Vasarely's 'Tlinko' in the Vasarely Museum of Pécs. Photographed by Katalin Nádor....
Victor Vasarely, Réponses a Vasarely (Responses to Vasarely) (1974)
Victor Vasarely, Réponses a Vasarely (Responses to Vasarely) (1974)
The complete set of 12 prints in colours, including 6 heliogravures and 6 screenprints, on smooth wove paper, the full sheets, with title page, texts and justification, the 6 helio...
Biography Box: Peter Moore
Biography Box: Peter Moore
This is one of a series of special boxes - like the "Name Boxes", but even less common - that Maciunas made for friends. Each Biography Box contains an assortment of real and faux ...
Breechcloth
Breechcloth
Breechcloth; probably Yanktonai; 1860-1870Wool, porcupine quills, sinew, metal, horsehair, pigments; 117.5 x 28.5 cm.\RMV 710-9; Herman F.C. ten Kate collection; purchased from tra...
Recent Results
Post-Modernism, Agency, and Democracy
Post-Modernism, Agency, and Democracy
This essay presents a general summary of post-modern philosophy’s conception of agency. It argues that while post-modern philosophers offer formidable intellectual tools for critic...
Extending the Metaphor: Notions of Jazz in Portraiture
Extending the Metaphor: Notions of Jazz in Portraiture
Portraiture, as a qualitative research methodology, challenges how we define objectivity and rigor in the social science research tradition. More recently, and in this “seventh mom...
Who is Afraid of the Spanish Inquisition? Endogamy and Culture Development Among Chiloe Encomenderos and Catholic Namesakes of Persecution Victims
Who is Afraid of the Spanish Inquisition? Endogamy and Culture Development Among Chiloe Encomenderos and Catholic Namesakes of Persecution Victims
Almost two centuries after the final demise of the Spanish Inquisition, its effects may still be present. Fear of the Inquisition may have affected endogamy patterns and other cult...
“They're lowering the boats! She is lost! She is lost!”: Maritime Disasters and Onomastics in Eugene O'Neill's Early One-Act Plays
“They're lowering the boats! She is lost! She is lost!”: Maritime Disasters and Onomastics in Eugene O'Neill's Early One-Act Plays
Abstract
The article examines how O'Neill turned to his memory of the sinking of the Titanic in several of his early one-act plays. Thirst, Warnings, and Fog functio...
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