Javascript must be enabled to continue!
Five vineyards, cut and raised; the first four are paper headers of the “Department du Doubs” (Herard, Vice-President), the “Section des Gravilliers” (Oreilly, President), the “Department of Somme” (Germain and Verrières administrators), the Supervisory C
View through Europeana Collections
Bibliographical Reference: De Vinck, 4792
Title: Five vineyards, cut and raised; the first four are paper headers of the “Department du Doubs” (Herard, Vice-President), the “Section des Gravilliers” (Oreilly, President), the “Department of Somme” (Germain and Verrières administrators), the Supervisory C
Description:
Bibliographical Reference: De Vinck, 4792.
Related Results
Brisé fan of paste board covered with silk, decorated with straw appliqué work, probably made in Florence, 1620s. Brisé fan of seven sticks, each one shaped to represent a curled feather. Cut straw, applied to silk covered cardboard. The sticks are made o
Brisé fan of paste board covered with silk, decorated with straw appliqué work, probably made in Florence, 1620s. Brisé fan of seven sticks, each one shaped to represent a curled feather. Cut straw, applied to silk covered cardboard. The sticks are made o
Brisé fan of paste board covered with silk, decorated with straw appliqué work, probably made in Florence, 1620s. Brisé fan of seven sticks, each one shaped to represent a curled f...
Gold watch and chatelaine set with topazes and table-cut and brilliant-cut diamonds, signed 'Julien le Roy A Paris', France, ca.1760. Gold watch and chatelaine set with topazes and table-cut and brilliant-cut diamonds, signed 'Julien le Roy A Paris'. Gol
Gold watch and chatelaine set with topazes and table-cut and brilliant-cut diamonds, signed 'Julien le Roy A Paris', France, ca.1760. Gold watch and chatelaine set with topazes and table-cut and brilliant-cut diamonds, signed 'Julien le Roy A Paris'. Gol
Gold watch and chatelaine set with topazes and table-cut and brilliant-cut diamonds, signed 'Julien le Roy A Paris', France, ca.1760. Gold watch and chatelaine set with topazes and...
Gold slide and pendant set with table-cut and rose-cut diamonds, made in Spain, probably Cordoba, about 1750. Slide and pendant ornamented with table-cut and rose-cut diamonds set in gold openwork. The slide in the form of a bow with two foliated units be
Gold slide and pendant set with table-cut and rose-cut diamonds, made in Spain, probably Cordoba, about 1750. Slide and pendant ornamented with table-cut and rose-cut diamonds set in gold openwork. The slide in the form of a bow with two foliated units be
Gold slide and pendant set with table-cut and rose-cut diamonds, made in Spain, probably Cordoba, about 1750. Slide and pendant ornamented with table-cut and rose-cut diamonds set ...
Table Plateau
Table Plateau
BORDSPLATY Consisting of a bottom plate (plateau) with a mirror glass, two flower bowls with artificial bouquets, two fruit bowls with glass bowls, six confectionery bowls with gla...
The Parc des Lions at Port-Marly
The Parc des Lions at Port-Marly
Camille Corot, whose art was halfway between Romanticism and Realism, preferred to paint a nature that inspired poetry and bucolic fantasy than to render it realistically as Courbe...
Vignette (Vie d'Ovide, page xlviii) depicting Ovid preparing for exile, embracing his wife, from Les Metamorphoses d'Ovide, Traduction nouvelle Avec le texte latin, suivie d'une analyse de l'explication des Fables, de notes géographiques, historiques, myt
Vignette (Vie d'Ovide, page xlviii) depicting Ovid preparing for exile, embracing his wife, from Les Metamorphoses d'Ovide, Traduction nouvelle Avec le texte latin, suivie d'une analyse de l'explication des Fables, de notes géographiques, historiques, myt
Etching; first state of four (Bocher), Les Metamorphoses d'Ovide Traduction nouvelle Avec le texte latin suivie d'une analyse de l'explication des Fables de notes géographiques ...
Vignette (Vie d'Ovide, page xlviii) depicting Ovid preparing for exile, embracing his wife, from Les Metamorphoses d'Ovide, Traduction nouvelle Avec le texte latin, suivie d'une analyse de l'explication des Fables, de notes géographiques, historiques, myt
Vignette (Vie d'Ovide, page xlviii) depicting Ovid preparing for exile, embracing his wife, from Les Metamorphoses d'Ovide, Traduction nouvelle Avec le texte latin, suivie d'une analyse de l'explication des Fables, de notes géographiques, historiques, myt
Etching and engraving; third state of four (Bocher), Les Metamorphoses d'Ovide Traduction nouvelle Avec le texte latin suivie d'une analyse de l'explication des Fables de notes ...
Phaeton Expresses his Desire to Drive his Father's Chariot, from Les Metamorphoses d'Ovide, Traduction nouvelle Avec le texte latin, suivie d'une analyse de l'explication des Fables, de notes géographiques, historiques, mythologiques et critiques, Par M.G
Phaeton Expresses his Desire to Drive his Father's Chariot, from Les Metamorphoses d'Ovide, Traduction nouvelle Avec le texte latin, suivie d'une analyse de l'explication des Fables, de notes géographiques, historiques, mythologiques et critiques, Par M.G
Etching, Les Metamorphoses d'Ovide Traduction nouvelle Avec le texte latin suivie d'une analyse de l'explication des Fables de notes géographiques historiques mythologiques et...

