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Intermedial ecocriticism in Blindness by Saramago

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This article analyzes pictorial representations of the natural world in Blindness (1995), by José Saramago. It covers the moment when an anonymous character describes some paintings he saw in a museum just before he went blind. Some of them are pastorals, suggestive of the lives of the characters before they became blind; but there are also descriptions of paintings that mirror the desperate situation analogous to the situation of the blind people in the asylum. As far as intermedial ecocriticism is concerned, I rely mainly on Jørgen Bruhn’s article “Towards an Intermedial Ecocriticism,” and when referring to culture, nature, and animals, I count on Raymond Williams’ and Greg Garrard’s concepts. Claus Clüver and Liliane Louvel become the main voices when analyzing the intermedial references to painting in the literary text.
APESC - Associacao Pro-Ensino em Santa Cruz do Sul
Title: Intermedial ecocriticism in Blindness by Saramago
Description:
This article analyzes pictorial representations of the natural world in Blindness (1995), by José Saramago.
It covers the moment when an anonymous character describes some paintings he saw in a museum just before he went blind.
Some of them are pastorals, suggestive of the lives of the characters before they became blind; but there are also descriptions of paintings that mirror the desperate situation analogous to the situation of the blind people in the asylum.
As far as intermedial ecocriticism is concerned, I rely mainly on Jørgen Bruhn’s article “Towards an Intermedial Ecocriticism,” and when referring to culture, nature, and animals, I count on Raymond Williams’ and Greg Garrard’s concepts.
Claus Clüver and Liliane Louvel become the main voices when analyzing the intermedial references to painting in the literary text.

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