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Hamann, Johann Georg (1730–88)
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Hamann was one of the most important critics of the German Enlightenment or Aufklärung. He attacked the Aufklärung chiefly because it gave reason undue authority over faith. It misunderstood faith, which consists in an immediate personal experience, inaccessible to reason. The main fallacy of the Aufklärung was hypostasis, the reification of ideas, the artificial abstraction of reason from its social and historical context. Hamann stressed the social and historical dimension of reason, that it must be embodied in society, history and language. He also emphasized the pivotal role of language in the development of reason. The instrument and criterion of reason was language, whose only sanction was tradition and use.
Hamann was a sharp critic of Kant, whose philosophy exemplified all the sins of the Aufklärung. Hamann attacked the critical philosophy for its purification of reason from experience, language and tradition. He also strongly objected to all its dualisms, which seemed arbitrary and artificial. The task of philosophy was to unify all the various functions of the mind, seeing reason, will and feeling as an indivisible whole.
Although he was original and unorthodox, Hamann’s critique of reason should be placed within the tradition of Protestant nominalism. Hamann saw himself as a defender of Luther, whose reputation was on the wane in late eighteenth-century Germany.
Hamann was also a founder of the Sturm und Drang, the late eighteenth-century literary movement which celebrated personal freedom and revolt. His aesthetics defended creative genius and the metaphysical powers of art. It marked a sharp break with the rationalism of the classical tradition and the empiricism of late eighteenth-century aesthetics.
Hamann was a seminal influence upon Herder, Goethe, Jacobi, Friedrich Schlegel and Kierkegaard.
Title: Hamann, Johann Georg (1730–88)
Description:
Hamann was one of the most important critics of the German Enlightenment or Aufklärung.
He attacked the Aufklärung chiefly because it gave reason undue authority over faith.
It misunderstood faith, which consists in an immediate personal experience, inaccessible to reason.
The main fallacy of the Aufklärung was hypostasis, the reification of ideas, the artificial abstraction of reason from its social and historical context.
Hamann stressed the social and historical dimension of reason, that it must be embodied in society, history and language.
He also emphasized the pivotal role of language in the development of reason.
The instrument and criterion of reason was language, whose only sanction was tradition and use.
Hamann was a sharp critic of Kant, whose philosophy exemplified all the sins of the Aufklärung.
Hamann attacked the critical philosophy for its purification of reason from experience, language and tradition.
He also strongly objected to all its dualisms, which seemed arbitrary and artificial.
The task of philosophy was to unify all the various functions of the mind, seeing reason, will and feeling as an indivisible whole.
Although he was original and unorthodox, Hamann’s critique of reason should be placed within the tradition of Protestant nominalism.
Hamann saw himself as a defender of Luther, whose reputation was on the wane in late eighteenth-century Germany.
Hamann was also a founder of the Sturm und Drang, the late eighteenth-century literary movement which celebrated personal freedom and revolt.
His aesthetics defended creative genius and the metaphysical powers of art.
It marked a sharp break with the rationalism of the classical tradition and the empiricism of late eighteenth-century aesthetics.
Hamann was a seminal influence upon Herder, Goethe, Jacobi, Friedrich Schlegel and Kierkegaard.
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