Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
Moving Stills: Portraiture and Superficial Ties in Two Visconti Films
View through CrossRef
Este ensayo se centra en dos películas dirigidas por Luchino Visconti, La terra trema (1948) y Rocco e i suoi fratelli (1960) estudiadas bajo la lente de discursos sobre la Cuestión Meridional (la subyugación del sur por el norte propia del proceso de consolidación nacional italiana). Analizo dos cuestiones concomitantes: la configuración de lazos de parentesco y cuerpos sociales meridionales mediante retratos fotográficos; y la relación de éstos últimos con imágenes en movimiento y narrativa fílmica. Consecuentemente en mi análisis estilístico pongo en duda afirmaciones de realismo documental en ambas películas consideradas paradigmas del cine neorrealista, resaltando en ellas el uso sistemático de convenciones melodramáticas. Subrayo el carácter sinestésico del melodrama, que toca al espectador mientras éste mira la pantalla. Visconti sistemáticamente presenta relaciones sinestésicas y emocionales entre tomas, fotos e imágenes para transmitir su propia solución a la Cuestión Meridional. Palabras clave: Neorrealismo; Melodrama; Luchino Visconti; La cuestión meridional; Estudios italianos Abstract This essay focuses on two films directed by Luchino Visconti, La terra trema (1948) and Rocco e i suoi fratelli (1960) under the light of Southern Question discourses–the subjugation of the South to the North inscribed in the process leading to Italian national affirmation. I address two related issues: the fabrication of southern kinship and social bodies via portraiture, and the latter’s relationship to moving images and filmic narrative. Consequently, analyzing film style I question claims of documentary realism in these films, paradigms of neorealist filmmaking, by foregrounding their systematic use of melodramatic conventions. I stress the synesthetic side to melodrama. Spectators look at the screen while in their turn are touched by its moving images. Visconti systematically presents once and again this synesthetic emotional relationship between shots, photographs, and pictures to forward his solution to the Southern Question. Key words: Neorealism; Melodrama; Luchino Visconti; Southern Question; Italian Studies
Title: Moving Stills: Portraiture and Superficial Ties in Two Visconti Films
Description:
Este ensayo se centra en dos películas dirigidas por Luchino Visconti, La terra trema (1948) y Rocco e i suoi fratelli (1960) estudiadas bajo la lente de discursos sobre la Cuestión Meridional (la subyugación del sur por el norte propia del proceso de consolidación nacional italiana).
Analizo dos cuestiones concomitantes: la configuración de lazos de parentesco y cuerpos sociales meridionales mediante retratos fotográficos; y la relación de éstos últimos con imágenes en movimiento y narrativa fílmica.
Consecuentemente en mi análisis estilístico pongo en duda afirmaciones de realismo documental en ambas películas consideradas paradigmas del cine neorrealista, resaltando en ellas el uso sistemático de convenciones melodramáticas.
Subrayo el carácter sinestésico del melodrama, que toca al espectador mientras éste mira la pantalla.
Visconti sistemáticamente presenta relaciones sinestésicas y emocionales entre tomas, fotos e imágenes para transmitir su propia solución a la Cuestión Meridional.
Palabras clave: Neorrealismo; Melodrama; Luchino Visconti; La cuestión meridional; Estudios italianos Abstract This essay focuses on two films directed by Luchino Visconti, La terra trema (1948) and Rocco e i suoi fratelli (1960) under the light of Southern Question discourses–the subjugation of the South to the North inscribed in the process leading to Italian national affirmation.
I address two related issues: the fabrication of southern kinship and social bodies via portraiture, and the latter’s relationship to moving images and filmic narrative.
Consequently, analyzing film style I question claims of documentary realism in these films, paradigms of neorealist filmmaking, by foregrounding their systematic use of melodramatic conventions.
I stress the synesthetic side to melodrama.
Spectators look at the screen while in their turn are touched by its moving images.
Visconti systematically presents once and again this synesthetic emotional relationship between shots, photographs, and pictures to forward his solution to the Southern Question.
Key words: Neorealism; Melodrama; Luchino Visconti; Southern Question; Italian Studies.
Related Results
The Museum as a Cinematic Space
The Museum as a Cinematic Space
Moving images have become a common feature in museums, where visitors are now accustomed to finding a broad variety of projections and screens. But when did films start to be displ...
Impact of Smoking and Vaping in Films on Smoking and Vaping Uptake in Adolescents: Systematic Review and Meta-Analysis
Impact of Smoking and Vaping in Films on Smoking and Vaping Uptake in Adolescents: Systematic Review and Meta-Analysis
Prevention of smoking uptake in young people is an essential public health target. We have previously reported a systematic review and meta-analysis of the effect of exposure to sm...
Effect of glycerol triglycidyl ether on the dimensional stability and flexibility of photographic gelatine films
Effect of glycerol triglycidyl ether on the dimensional stability and flexibility of photographic gelatine films
AbstractThe gelatine emulsions used in historical photographs can shrink and become brittle under alternating dry–wet environmental conditions, which would result in curling and fr...
Expressions of “Voice” in Portraiture
Expressions of “Voice” in Portraiture
The various ways in which the researcher negotiates “voice are the focus of this article. The six aspects of “voice” as defined by portraiture are manifested through the researcher...
Friends Don't Make Friends Good Citizens, But Advisors Do
Friends Don't Make Friends Good Citizens, But Advisors Do
The authors explore whether employees' willingness to perform organization citizenship behavior (OCB), or go “above and beyond” what is required by their jobs, is affected by socia...
Fractal Dimensions of Niobium Oxide Films Probed by Protons and Lithium Ions
Fractal Dimensions of Niobium Oxide Films Probed by Protons and Lithium Ions
Cyclic voltammetry (CV) and atomic force microscopy (AFM) were used to determine fractal surface dimensions of sputter deposited niobium pentoxide films. Peak currents were determi...
Michel Foucault' filosoofiline nägemine kujutava kunsti näite põhjal
Michel Foucault' filosoofiline nägemine kujutava kunsti näite põhjal
In examining Michel Foucault’s philosophical vision I have used Gilles Deleuze’s definition: “A seer is someone who sees something not seen.” Being situated on the border between t...