Christ and His Disciples

Christ holding the cross was a motif that El Greco derived from the narrative of Christ’s Passion, creating an isolated image that seems to have been extremely popular with his cli...

The present canvas is signed and dated “Jusepe de Ribera español 1633” on the stone at the lower right corner, a formula used by the artist throughout the 1630s and to which on occ...

The present canvas is signed and dated “Jusepe de Ribera español 1633” on the stone at the lower right corner, a formula used by the artist throughout the 1630s and to which on occ...

It was Friedländer who established the artistic personality of this anonymous artist working in Delft, and attributed the first group of works to his name. Taking his reference poi...

In this etching (with the same subject as the adjacent drawing) Rembrandt has turned the bodies of Jesus and the angel. Here Jesus is shown frontally. His closed eyes indicate his ...

From his earliest years as a painter, Monet’s art was rooted in the direct and prolonged analysis of nature. Throughout his career, he grappled with the task of developing techniqu...

William de Brailes is the only 13th-century English non-monastic illuminator known to have signed his work. His surname means 'from Brailes', a town in Warwickshire, about 30 miles...