Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
Music as Dream
View through CrossRef
Music as Dream: Essays on Giacinto Scelsi showcases recent scholarly criticism on the music and philosophy of the brilliantly original composer Giacinto Scelsi. In this collection, Franco Sciannameo and Alessandra Carlotta Pellegrini select and translate into English for the first time essays that reflect the evolution of recent scholarship on Scelsi’s musical compositions. Music as Dream opens with “The Scelsi Case,” which erupted shortly after Scelsi’s death in 1988 when composer Vieri Tosatti claimed ownership of his works. This quarrel reached its zenith in the pages of PianoTime’s March 1989 issue, where musicologist Guido Zaccagnini questioned a group of noted composers, writers, and arts managers about whether a composer can claim sole authorship for a work accomplished in collaboration with others.
The essays are wide-ranging in scope. French musicologist Michelle Biget-Mainfroy, a specialist in “gestural” piano writing, offers an in-depth study of Scelsi’s complex piano output; Gianmario Borio looks at Scelsi’s “Sound as Compositional Process”; Alessandra Montali examines and details Scelsi’s theoretical and literary writings; Luciano Martinis and Franco Sciannameo explore the lives and whereabouts of obscure composers Giacinto Sallustio, Walther Klein, and Richard Falk, who were Scelsi’s collaborators until the early 1940s when Tosatti took sole charge; Alessandra Carlotta Pellegrini elaborates on Scelsi’s most important composition of his first period, presenting a tour-de-force that pieces together its complex story through research at the newly organized Scelsi Archive at the Fondazione Isabella Scelsi in Rome; and Friedrich Jaecker’s and Sandro Marrocu’s essays also draw on research conducted at the archive of Fondazione. Finally, an updated bibliography and discography conclude the book
Title: Music as Dream
Description:
Music as Dream: Essays on Giacinto Scelsi showcases recent scholarly criticism on the music and philosophy of the brilliantly original composer Giacinto Scelsi.
In this collection, Franco Sciannameo and Alessandra Carlotta Pellegrini select and translate into English for the first time essays that reflect the evolution of recent scholarship on Scelsi’s musical compositions.
Music as Dream opens with “The Scelsi Case,” which erupted shortly after Scelsi’s death in 1988 when composer Vieri Tosatti claimed ownership of his works.
This quarrel reached its zenith in the pages of PianoTime’s March 1989 issue, where musicologist Guido Zaccagnini questioned a group of noted composers, writers, and arts managers about whether a composer can claim sole authorship for a work accomplished in collaboration with others.
The essays are wide-ranging in scope.
French musicologist Michelle Biget-Mainfroy, a specialist in “gestural” piano writing, offers an in-depth study of Scelsi’s complex piano output; Gianmario Borio looks at Scelsi’s “Sound as Compositional Process”; Alessandra Montali examines and details Scelsi’s theoretical and literary writings; Luciano Martinis and Franco Sciannameo explore the lives and whereabouts of obscure composers Giacinto Sallustio, Walther Klein, and Richard Falk, who were Scelsi’s collaborators until the early 1940s when Tosatti took sole charge; Alessandra Carlotta Pellegrini elaborates on Scelsi’s most important composition of his first period, presenting a tour-de-force that pieces together its complex story through research at the newly organized Scelsi Archive at the Fondazione Isabella Scelsi in Rome; and Friedrich Jaecker’s and Sandro Marrocu’s essays also draw on research conducted at the archive of Fondazione.
Finally, an updated bibliography and discography conclude the book.
Related Results
Seeing Voices
Seeing Voices
Abstract
We often think of music in terms of sounds intentionally organized into patterns, but music performed in signed languages poses considerable challenges to t...
Music Therapy Research
Music Therapy Research
Music therapy is an evidence-based profession. Music therapy research aims to provide information about outcomes that support music therapy practice including contributing to theor...
Black Music Matters
Black Music Matters
Black Music Matters: Jazz and the Transformation of Music Studies is one of the first books to promote the reform of music studies with a centralized presence of jazz and black mus...
Developing New Posts in Music Therapy
Developing New Posts in Music Therapy
Many music therapists join an organization as the first employee in the role, and consequently are the first music therapist that many of their new colleagues will have met. This c...
Rastafari and Reggae
Rastafari and Reggae
A combination dictionary and annotated discography, videography and bibliography, this sourcebook brings together listings of materials on the Rastafarian movement and reggae music...
Music Therapy in Grief and Mourning
Music Therapy in Grief and Mourning
Music therapists endeavour to understand music’s significance for people who are mourning unfulfilled hopes and a life once lived; who are trying to deal with uncertainty, altered ...
Music of the Counterculture Era
Music of the Counterculture Era
The late 1960s and early 1970s saw the flourishing of an American counterculture that affected many walks of society. The movement's music provided the soundtrack for this bellweth...
The Cultural Context of Medieval Music
The Cultural Context of Medieval Music
An urgently needed guide to understanding medieval music to be used as a text for the university undergraduate, graduate students in music and interdisciplinary medieval studies, a...